All Outputs (13)

A Cinema of Pleasure: He Xiaopei’s Home Video Aesthetics and Queer Feminist Politics (2023)
Book Chapter
Bao, H. (2023). A Cinema of Pleasure: He Xiaopei’s Home Video Aesthetics and Queer Feminist Politics. In F. Chan, F. Elliott, & A. Willis (Eds.), Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories (13-28). Edinburgh University Press

This article examines He Xiaopei’s films and filmmaking career to discern how they help her articulate a queer feminist politics. He Xiaopei (Figure 1) is one of the best-known queer and feminist filmmakers and activists in contemporary China. She ha... Read More about A Cinema of Pleasure: He Xiaopei’s Home Video Aesthetics and Queer Feminist Politics.

Digital video activism: Fan Popo’s queer Asian diasporic politics (2023)
Journal Article
Bao, H. (2023). Digital video activism: Fan Popo’s queer Asian diasporic politics. Journal of Chinese Cinemas, 17(1), 10-23. https://doi.org/10.1080/17508061.2024.2312681

This article examines queer Chinese filmmaker Fan Popo's fiction films and curatorial practices since he moved from Beijing to Berlin in 2017. It focuses on how Fan's subject position as queer Asian diaspora impacts on his filmmaking, identity and po... Read More about Digital video activism: Fan Popo’s queer Asian diasporic politics.

Queer screens with Chinese characteristics?: Reimagining queer Chinese screen studies in the twenty-first century (2023)
Journal Article
Zhao, J. J., & Bao, H. (2023). Queer screens with Chinese characteristics?: Reimagining queer Chinese screen studies in the twenty-first century. Journal of Chinese Cinemas, 17(1), Article 1-9. https://doi.org/10.1080/17508061.2024.2312677

This introductory essay briefly reviews existing academic understandings and sociocultural imbrications of queer representations of and research on contemporary Chinese-language media and culture. We propose to conceptualize ‘queer Chinese screen stu... Read More about Queer screens with Chinese characteristics?: Reimagining queer Chinese screen studies in the twenty-first century.

Queer Chinese Cinema: From ‘celluloid comrades’ to ‘digital video activism’ (2023)
Book Chapter
Bao, H. (in press). Queer Chinese Cinema: From ‘celluloid comrades’ to ‘digital video activism’. In Routledge Encyclopaedia in Chinese Studies. Routledge

This article examines queer cinema in Mainland China in the post-Mao era. It traces a brief trajectory of its development from the emergence of queer characters on the cinematic screen from the 1990s to the proliferation of Boys’ Love representations... Read More about Queer Chinese Cinema: From ‘celluloid comrades’ to ‘digital video activism’.

Making Films is Like Friends Getting Together and Having Parties: Hongwei Bao in Conversation with Cui Zi’en (2023)
Book Chapter
Bao, H., & Cui, Z. (2023). Making Films is Like Friends Getting Together and Having Parties: Hongwei Bao in Conversation with Cui Zi’en. In U. Böckler, J. Lazarus, & A. Weltz-Rombach (Eds.), Radical Film, Art and Digital Media for Societies in Turmoil (223-227). K. Verlag

Cui Zi’en (b. 1958 in Harbin, China) is one of the best-known queer filmmakers, writers and activists in the Chinese-speaking world. He was the first ‘out’ gay public persona in post-Mao China, coming out on state television in 2000. He has made abou... Read More about Making Films is Like Friends Getting Together and Having Parties: Hongwei Bao in Conversation with Cui Zi’en.

Queer Chinese literature: from classical texts to contemporary fan fiction (2023)
Book Chapter
Bao, H. (in press). Queer Chinese literature: from classical texts to contemporary fan fiction. In Routledge Encyclopaedia in Chinese Studies

This article examines queer literature in Mainland China from classical texts to contemporary Internet literature and fan fiction. Queer literature is broadly defined here as literary texts depicting non-heteronormative genders, sexualities and desir... Read More about Queer Chinese literature: from classical texts to contemporary fan fiction.

Queer Art as Masquerading: Displaying Queer Art in Contemporary China (2023)
Book Chapter
Bao, H. (in press). Queer Art as Masquerading: Displaying Queer Art in Contemporary China. In Rethinking the Curation/Displays of Chinese Contemporary Art. Palgrave Macmillan

This chapter discusses some of the ways in which queer art is displayed in contemporary China, where the public expression and circulation of queerness is prohibited. The government ban on queer content does not mean that queer art does not exist in... Read More about Queer Art as Masquerading: Displaying Queer Art in Contemporary China.

The wedding complex: Chinese queer performance art as social activism (2023)
Journal Article
Bao, H. (2023). The wedding complex: Chinese queer performance art as social activism. Journal of Contemporary Chinese Art, 10(1-2), 39-63. https://doi.org/10.1386/jcca_00075_1

Through public, intentional and interventionist displays of the queer body, queer Chinese artists have used performance art for identity expression, community building and social activism. This article focuses on some of these queer performance artwo... Read More about The wedding complex: Chinese queer performance art as social activism.

In Queer Memory: Mediating Queer Chinese History in Digital Video Documentaries (2023)
Journal Article
Bao, H. (2023). In Queer Memory: Mediating Queer Chinese History in Digital Video Documentaries. Panoptikum, 2023(29), 94-114. https://doi.org/10.26881/pan.2023.29.06

This article examines the digital and cinematic mediation of queer memory in four independent Chinese documentaries: Queer China, "Comrade" China (dir. Cui Zi"en 2008), Our Story (dir. Yang Yang, 2011), We Are Here (dir. Shi Tou and Jing Zhao, 2016)... Read More about In Queer Memory: Mediating Queer Chinese History in Digital Video Documentaries.

Imagining Queer Bandung: Creating a Transnational and Decolonial Queer Space (2023)
Book Chapter
Bao, H. (2023). Imagining Queer Bandung: Creating a Transnational and Decolonial Queer Space. In H. Bao, D. Mergenthaler, & J. J. Zhao (Eds.), Contemporary Queer Chinese Art. Bloomsbury Publishing

This chapter examines the Imagining Queer Bandung project, a series of media and art events that took place in Berlin from June to August 2021. It sees the project as a good example of the queer people of colour’s transnational solidarity and decolon... Read More about Imagining Queer Bandung: Creating a Transnational and Decolonial Queer Space.

What is Queer About Queer Chinese Art? (2023)
Book Chapter
Bao, H., Mergenthaler, D., & Zhao, J. J. (2023). What is Queer About Queer Chinese Art?. In H. Bao, D. Mergenthaler, & J. J. Zhao (Eds.), Contemporary Queer Chinese Art. Bloomsbury Publishing

In this introductory chapter, we first explain the keywords crucial to our analysis, theorization and discussion, including queerness, Chineseness and contemporary art. We then move on to a brief overview of the key chapters and themes in the book, w... Read More about What is Queer About Queer Chinese Art?.

Contemporary Queer Chinese Art (2023)
Book
Bao, H., Mergenthaler, D., & Zhao, J. J. (2023). Contemporary Queer Chinese Art. Bloomsbury Publishing

Contemporary Queer Chinese Art is the first English-language academic book that explores the intersections of queer culture and contemporary Chinese art from the mid-1980s to the present. This book brings together 15 internationally renowned artists,... Read More about Contemporary Queer Chinese Art.

‘Sissy capital’ and the governance of non-normative genders in China’s platform economy (2023)
Journal Article
Wang, S., & Bao, H. (2023). ‘Sissy capital’ and the governance of non-normative genders in China’s platform economy. China Information, 37(3), 342-362. https://doi.org/10.1177/0920203X221147481

This article examines Chinese government censorship in the intersection between queer and fan cultures and the government’s regulation of big tech companies and platform economies in the 2020s conjuncture. In the context of booming platform industrie... Read More about ‘Sissy capital’ and the governance of non-normative genders in China’s platform economy.