All Outputs (82)
Troping in Mainz and the (Re-)Construction of Metropolitan Identity (2016)
Book Chapter
Domesticated noise: the musical reformation of identity in urban Vietnam (2016)
Journal Article
The Cambridge Companion to Film Music (2016)
Book
Whose voices? The fate of Luigi Nono’s 'Voci destroying muros' (2016)
Journal Article
Luigi Nono's Voci destroying muros for female voices and small orchestra was performed for the first and only time at the Holland Festival in 1970. A setting of texts by female prisoners and factory workers, it marks a sharp stylistic departure from... Read More about Whose voices? The fate of Luigi Nono’s 'Voci destroying muros'.
The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050 (2015)
Book
This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest... Read More about The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050.
Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique (2015)
Book Chapter
Vogel and Elze tended to defer to Andrieu's wisdom on most matters of interpretation, giving an outward impression of absolute consensus when inwardly they may have felt unqualified to disagree. And as Andrieu's remarkable hypotheses have been replic... Read More about Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique.
Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival (2015)
Journal Article
This article examines attempts by American Hmong to turn the thriving Hmong digital diaspora into a sustainable offline musical community. The Hmong, an ethnic group of five million people spread across five continents, have embraced YouTube as a pri... Read More about Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival.
The Cries of Peckham Rye (2015)
Other
Electroacoustic composition for choir and electronics performed by Dulwich Folk Choir, with text written by poet Jane Yeh. Commissioned by Sarah Turner to feature in the film Public House with funds from Film London and The Arts Council of England.... Read More about The Cries of Peckham Rye.
Note from the Guest Editor (2015)
Journal Article
Principles of Geology and sensory experience at London's Cyclorama (2015)
Journal Article
The Cyclorama opened in London in 1848 with a representation of the 1755 Lisbon earthquake that reportedly terrified audiences with its realistic aural and visual effects. During the first half of the century Londoners had been confronted with a rapi... Read More about Principles of Geology and sensory experience at London's Cyclorama.
Surface to Surface (2015)
Physical Artefact
Modernist Mise-en-scène: Luigi Nono and the Politics of Staging (2015)
Journal Article
Newly published music by Benjamin Britten (2014)
Journal Article
Cut, Strike, Throw, Grip. (2014)
Other
Cut, Strike, Throw, Grip :: for two keyboards and electronics, commissioned by Kate Halsall premiered at Huddersfield Contemporary Music Festival. Recorded and commercially released on Miniaturised Concertos | Maché, Metier Records, 2016.
St Edmund Between Liturgy and Hagiography (2014)
Book Chapter
Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli (2014)
Journal Article
This article investigates Niccolò Zingarelli's method of text-setting, as documented in Giovanni Battista De Vecchis's Compendio of Neapolitan teachings (1850). It contextualizes De Vecchis's instructions by tracing the genealogy of the concept of 'a... Read More about Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli.
Futurism in Venice, Crisis and "la musica dell'avvenire", 1924 (2014)
Journal Article
In January 1924 the latest incarnation of Futurist music theatre, Il nuovo teatro futurista, began a twenty-eight city tour of the peninsula. The Venice stopover, at the Teatro Goldoni on January 25, prompted a flurry of media activity. Press repor... Read More about Futurism in Venice, Crisis and "la musica dell'avvenire", 1924.