Research Repository

See what's under the surface

Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli

Baragwanath, Nicholas

Authors

Nicholas Baragwanath

Abstract

This article investigates Niccolo' Zingarelli’s method of text-setting, as documented in Giovanni Battista De Vecchis’s Compendio of Neapolitan teachings (1850). It contextualizes De Vecchis’s instructions by tracing the genealogy of the concept of ‘accent’ as understood by early nineteenth-century composers through successive reinterpretations of an Italian theory of qualitative rhythmopoeia established in the sixteenth century, which accounted for rhythm, metre, and pitch through a threefold division of accent. The article explores its origins, its treatment by Zarlino, its significance in writings by nineteenth-century Italian musicians, and the confusing alternative terminology circulated by Rousseau (1768).The Neapolitan doctrine of text-setting presents a historical example of a ‘drastic’ approach to conceptualizing music, recognizing the priority of unruly human performance over abstract rationalization, in contrast to the ‘gnostic’ theories of Sulzer and Koch, with their emphasis on notated melodies and their subordination of rhythm (as spoken, sung, or played) to quantifiable metric grids.

Journal Article Type Article
Publication Date Jul 1, 2014
Journal Music and Letters
Print ISSN 0027-4224
Electronic ISSN 0027-4224
Publisher Oxford University Press (OUP)
Peer Reviewed Peer Reviewed
Volume 95
Issue 2
DOI https://doi.org/10.1093/ml/gcu010
Publisher URL http://ml.oxfordjournals.org/content/95/2/157.full.pdf
Copyright Statement Copyright information regarding this work can be found at the following address: http://creativecommons.org/licenses/by-nc/4.0
Additional Information This is a pre-copyedited, author-produced PDF of an article accepted for publication in Music and Letters following peer review. The version of record: Baragwanath, N. (2014) Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli. Music and Letters, 95 (2). pp. 157-182. is available online at: http://ml.oxfordjournal...ntent/95/2/157.full.pdf

Files

Baragwanath, De Vecchis article.pdf (610 Kb)
PDF

Version
AM - Accepted Manuscript



Downloadable Citations