All Outputs (16)

When is Architecture Art? : Architectural Representations and the Postmodern Artworld, or, Socioaesthetics (2022)
Book Chapter

Concerns about the correlation between architecture and art found new life in the Postmodern era when architectural representations became entangled in the art world. The exhibiting and sale of architectural drawings and models at commercial gallerie... Read More about When is Architecture Art? : Architectural Representations and the Postmodern Artworld, or, Socioaesthetics.

The American Continuum and Some Considerations of Writing and Teaching Global Architectural History Surveys (2022)
Presentation / Conference

Review: The Architectural Model: Histories of the Miniature and the Prototype, the Exemplar and the Muse (2021)
Journal Article

A Projective Collection: Commissing Architecture at the NGV (2021)
Presentation / Conference

Model Values: Architectural Models and the Conceptual Limits of Art Markets (2020)
Book Chapter

Teaching Architecture Globally (2019)
Presentation / Conference

Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia (2019)
Journal Article

For his last architectural work, the Porta Pia, Michelangelo Buonarotti produced some extraordinary drawings, which this article proposes are the first in architecture’s history to embody the creative potentials of sketching. In them, many ideas coal... Read More about Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia.

Perceiving Architectural Drawings and Models in the Postmodern Era: Art Markets and Their Effects (2019)
Presentation / Conference

Architectural Representations, the Art Market, and Architecture's History (2019)
Presentation / Conference

Marketing Architecture: Changing the NAture of Drawings (2019)
Presentation / Conference

A Need for History: Architectural Drawings between Aesthetics and Practice, c. 1912 (2019)
Presentation / Conference

“Form and Use” and Environments for an Open Society: MIT, ca. 1969 (2019)
Journal Article

“Form and Use in Architecture” was constructed and mounted at MIT’s Hayden Gallery in 1969. Designed and assembled by students with guidance from Stanford Anderson, then professor at MIT, it was a means to test Anderson’s theories of design. The exhi... Read More about “Form and Use” and Environments for an Open Society: MIT, ca. 1969.

Drawing on Architecture: The Object of Lines, 1970–1990 (2018)
Book

How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goa... Read More about Drawing on Architecture: The Object of Lines, 1970–1990.

How Architectural Drawings Changed What we Think about Architecture (2018)
Journal Article

Dessiner avec l’ordinateur dans les années soixante : le design et ses pratiques à l’aube de l’ère numérique (2016)
Journal Article

Les premières explorations de l'utilisation des ordinateurs dans le domaine du design 1 ont débuté dans les années 1960, près de trente ans avant que le « tournant numérique » (digital turn) ne s'empare du champ de la production architecturale. À cet... Read More about Dessiner avec l’ordinateur dans les années soixante : le design et ses pratiques à l’aube de l’ère numérique.

Architecture in the Art Market: The Max Protetch Gallery (2016)
Journal Article

During the 1970s and 1980s, new networks of galleries, collectors, and institutions arose that focused on architectural representations. These networks were integral to the emergence of architectural drawings as primary objects of interest, as they s... Read More about Architecture in the Art Market: The Max Protetch Gallery.