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All Outputs (10)

When is Architecture Art? : Architectural Representations and the Postmodern Artworld, or, Socioaesthetics (2022)
Book Chapter
Kauffman, J. (2022). When is Architecture Art? : Architectural Representations and the Postmodern Artworld, or, Socioaesthetics. In The Routledge Companion to Architectural Drawings and Models: From Translating to Archiving, Collecting and Displaying (249-262). Routledge. https://doi.org/10.4324/9781003052623-20

Concerns about the correlation between architecture and art found new life in the Postmodern era when architectural representations became entangled in the art world. The exhibiting and sale of architectural drawings and models at commercial gallerie... Read More about When is Architecture Art? : Architectural Representations and the Postmodern Artworld, or, Socioaesthetics.

A Projective Collection: Commissing Architecture at the NGV (2021)
Presentation / Conference
Stead, N., & Kauffman, J. (2021, April). A Projective Collection: Commissing Architecture at the NGV. Paper presented at Society of Architectural Historians 74th Annual International Conference, Montreal, QC, Canada (virtual)

Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia (2019)
Journal Article
Kauffman, J. (2019). Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia. Architecture and Culture, 7(2), 249-270. https://doi.org/10.1080/20507828.2019.1643583

For his last architectural work, the Porta Pia, Michelangelo Buonarotti produced some extraordinary drawings, which this article proposes are the first in architecture’s history to embody the creative potentials of sketching. In them, many ideas coal... Read More about Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia.

“Form and Use” and Environments for an Open Society: MIT, ca. 1969 (2019)
Journal Article
Kauffman, J. (2019). “Form and Use” and Environments for an Open Society: MIT, ca. 1969. Architectural Theory Review, 23(1), 23-38. https://doi.org/10.1080/13264826.2019.1616371

“Form and Use in Architecture” was constructed and mounted at MIT’s Hayden Gallery in 1969. Designed and assembled by students with guidance from Stanford Anderson, then professor at MIT, it was a means to test Anderson’s theories of design. The exhi... Read More about “Form and Use” and Environments for an Open Society: MIT, ca. 1969.

Drawing on Architecture: The Object of Lines, 1970–1990 (2018)
Book
Kauffman, J. (2018). Drawing on Architecture: The Object of Lines, 1970–1990. Massachusetts Institute of Technology Press (MIT Press). https://doi.org/10.7551/mitpress/11370.001.0001

How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goa... Read More about Drawing on Architecture: The Object of Lines, 1970–1990.

Architecture in the Art Market: The Max Protetch Gallery (2016)
Journal Article
Kauffman, J. (2016). Architecture in the Art Market: The Max Protetch Gallery. Journal of Architectural Education, 70(2), 257-268. https://doi.org/10.1080/10464883.2016.1197674

During the 1970s and 1980s, new networks of galleries, collectors, and institutions arose that focused on architectural representations. These networks were integral to the emergence of architectural drawings as primary objects of interest, as they s... Read More about Architecture in the Art Market: The Max Protetch Gallery.