All Outputs (9)

An Gàrradh (2022)
Other
Macleod, D. (2022). An Gàrradh. [Electronic composition]. Uist

An electroacoustic geo-locative soundwalk mapped to Linaclate on the island of Benbecula, Scotland. Commissioned by Taigh Chearsabhagh Museum and Arts Centre North Uist, with funds from Event Scotland.

Carareretetatakakekerers (2021)
Other
Macleod, D. (2021). Carareretetatakakekerers. [Audio]

80-minute score and sound design for Normal Condition's contemporary dance work 'Carareretetatakakekerers', choreographed by Nicola Conibere. Premiere - 4 October 2021, Lilian Baylis Studio, Sadler's Wells, London. Supported using public funding from... Read More about Carareretetatakakekerers.

By the light of the moon.... (2020)
Other
Macleod, D. (2020). By the light of the moon.... [Score]. Nottingham, Lakeside Arts

By the light of the moon is the first in a series of short works for toy piano, piano and electronics that draw upon the poetry of Edward Lear. In this work, I start with the third verse of Lear’s famed poem, The Owl and the Pussy-cat, in which the c... Read More about By the light of the moon.....

The Metalization of a Dream : for open instrumentation and electronics (2019)
Other
Macleod, D. (2019). The Metalization of a Dream : for open instrumentation and electronics. The Lit & Phil, Newcastle, 23 Westgate Rd, Newcastle upon Tyne NE1 1SE

The Metalization of a Dream is an open form sound-work responding to the dada and surrealist-inspired collages of Eduardo Paolozzi (1924-2005). A pioneer of pop art, Paolozzi’s practice drew inspiration from artists that utilise similar collage and c... Read More about The Metalization of a Dream : for open instrumentation and electronics.

No Man is an Island (2018)
Other
Macleod, D. (2018). No Man is an Island. [Score]. London

A five-minute setting of John Donne's Mediation XVII written for solo voice and electronics. Premiered by SoundKarD at nonclassical, London. 12/04/2018.

Cut, Strike, Throw, Grip. (2018)
Other
MACLEOD, D. (2018). Cut, Strike, Throw, Grip. [Score]. Edinburgh

This work draw inspiration from the ancient Highland Bagpipe and Clarsach music known as Pibroch or Ceol Mor. Comprised of a theme and variations Pibroch utilises ornamentation as a means to mark and decorate each variation. Moreover as an oral tradi... Read More about Cut, Strike, Throw, Grip..

The Cries of Columbia Road (2017)
Other
MACLEOD, D. (2017). The Cries of Columbia Road. [Acousmatic Composition]. Whitechapel Gallery

The Cries of London is an ongoing series of electroacoustic compositions and sound works that draw upon the urban anthropophonic soundscape of London. Taking inspiration from the seventeenth-century works of the same title by Thomas Weelkes, and Orla... Read More about The Cries of Columbia Road.

The Cries of Peckham Rye (2015)
Other
MACLEOD, D. (2015). The Cries of Peckham Rye

Electroacoustic composition for choir and electronics performed by Dulwich Folk Choir, with text written by poet Jane Yeh. Commissioned by Sarah Turner to feature in the film Public House with funds from Film London and The Arts Council of England.... Read More about The Cries of Peckham Rye.

Cut, Strike, Throw, Grip. (2014)
Other
MACLEOD, D. (2014). Cut, Strike, Throw, Grip. St Paul's Concert Hall, Queensgate, Queensgate, Huddersfield HD1 3DH

Cut, Strike, Throw, Grip :: for two keyboards and electronics, commissioned by Kate Halsall premiered at Huddersfield Contemporary Music Festival. Recorded and commercially released on Miniaturised Concertos | Maché, Metier Records, 2016.