“Form and Use” and Environments for an Open Society: MIT, ca. 1969

Kauffman, Jordan

doi:10.1080/13264826.2019.1616371

All Outputs (6)

Teaching Architecture Globally (2019)
Presentation / Conference
Kauffman, J. (2019, December). Teaching Architecture Globally

Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia (2019)
Journal Article
Kauffman, J. (2019). Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia. Architecture and Culture, 7(2), 249-270. https://doi.org/10.1080/20507828.2019.1643583

For his last architectural work, the Porta Pia, Michelangelo Buonarotti produced some extraordinary drawings, which this article proposes are the first in architecture’s history to embody the creative potentials of sketching. In them, many ideas coal... Read More about Developing Ambiguity: Idea, Imagination and Michelangelo’s Sketches for the Porta Pia.

Architectural Representations, the Art Market, and Architecture's History (2019)
Presentation / Conference
Kauffman, J. (2019, June). Architectural Representations, the Art Market, and Architecture's History. Paper presented at The Values of Architecture and the Economy of Culture, Brisbane City, Brisbane, Australia

Marketing Architecture: Changing the NAture of Drawings (2019)
Presentation / Conference
Kauffman, J. (2019, May). Marketing Architecture: Changing the NAture of Drawings. Paper presented at Christie's Symposium: Women Art Dealers (1940-1990), New York, NY, USA

A Need for History: Architectural Drawings between Aesthetics and Practice, c. 1912 (2019)
Presentation / Conference
KAUFFMAN, J. (2019, April). A Need for History: Architectural Drawings between Aesthetics and Practice, c. 1912. Paper presented at Society of Architectural Historians 72nd Annual International Conference, Providence, RI, USA

“Form and Use” and Environments for an Open Society: MIT, ca. 1969 (2019)
Journal Article
Kauffman, J. (2019). “Form and Use” and Environments for an Open Society: MIT, ca. 1969. Architectural Theory Review, 23(1), 23-38. https://doi.org/10.1080/13264826.2019.1616371

“Form and Use in Architecture” was constructed and mounted at MIT’s Hayden Gallery in 1969. Designed and assembled by students with guidance from Stanford Anderson, then professor at MIT, it was a means to test Anderson’s theories of design. The exhi... Read More about “Form and Use” and Environments for an Open Society: MIT, ca. 1969.