Baroque à la Hitchcock: the music of Dangerous Liaisons (1988)
(2018)
Book Chapter
George Fenton’s resourceful use of both pastiche and genuine baroque and classical music in the scoring of period-set feature films is nowhere more impressive than in Dangerous Liaisons (1988). Strongly influenced by the films of Alfred Hitchcock, di... Read More about Baroque à la Hitchcock: the music of Dangerous Liaisons (1988).