All Outputs (2)

Cinema, Ethnicity, and Nation-Building in the Sakha Republic (Russia) and Kazakhstan (2022)
Book Chapter
McGinity-Peebles, A. (2022). Cinema, Ethnicity, and Nation-Building in the Sakha Republic (Russia) and Kazakhstan. In Oxford Encyclopedia of Communication. Oxford University Press. https://doi.org/10.1093/acrefore/9780190228613.013.1326

In the post-Soviet era, ethnocultural identity and nationhood have been dominant themes in the cinemas of Kazakhstan and the Sakha Republic (officially known as the Republic of Sakha, or Yakutia). Despite their different sociopolitical contexts (unli... Read More about Cinema, Ethnicity, and Nation-Building in the Sakha Republic (Russia) and Kazakhstan.

‘We live like swine and die like swine, because we mean nothing to each other’: The little person, the state and nationhood in contemporary Russian film (2021)
Book Chapter
McGinity-Peebles, A. (2021). ‘We live like swine and die like swine, because we mean nothing to each other’: The little person, the state and nationhood in contemporary Russian film. In G. Gergely, & S. Hayward (Eds.), The Routledge Companion to European Cinema (394-403). Routledge. https://doi.org/10.4324/9781003027447

Since Putin's third term as president, official discourse of Russian nationhood has become increasingly statist, ethnonationalist, traditionalist and anti-Western in tone and substance. This chapter analyzes the three films, Long and Happy Life, Levi... Read More about ‘We live like swine and die like swine, because we mean nothing to each other’: The little person, the state and nationhood in contemporary Russian film.