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Poetry into painting: Mallarmé, Picasso, and punning

Shingler, Katherine

Authors

Katherine Shingler katherine.shingler@nottingham.ac.uk

Abstract

This article gives a critical assessment of the relationship between the poetry of Stéphane Mallarmé and the Cubist painting and collage of Pablo Picasso. Taking in a range of critical sources that have insisted on Picasso’s ‘mallarmisme’, the article sets out to shift scholarly debate away from its focus on Picasso’s punning reference to Un coup de dés in a 1912 collage, and its suggestion of a dialogue between poet and painter around high art and its relationship to popular, commercial forms of production. It proposes that we instead focus our attention on the punning structures shared by Mallarmé and Picasso’s work more generally – structures which give rise to a sense of simultaneity, or overlaps of meaning, and which ultimately suggest that in engaging with Mallarmé’s poetry Picasso was self-consciously reflecting on the notion of painting as a kind of language, with its own syntax.

Journal Article Type Article
Publication Date Nov 1, 2013
Journal French Cultural Studies
Print ISSN 0957-1558
Electronic ISSN 1740-2352
Publisher SAGE Publications (UK and US)
Peer Reviewed Peer Reviewed
Volume 24
Issue 4
Institution Citation Shingler, K. (2013). Poetry into painting: Mallarmé, Picasso, and punning. French Cultural Studies, 24(4), doi:10.1177/0957155813501118
DOI https://doi.org/10.1177/0957155813501118
Keywords Cubism, linguistic analogy, Stéphane Mallarmé, Pablo Picasso, pictorial syntax, simultaneity, text−image relationships
Publisher URL http://frc.sagepub.com/content/24/4/346.abstract
Copyright Statement Copyright information regarding this work can be found at the following address: http://eprints.nottingh.../end_user_agreement.pdf

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Copyright Statement
Copyright information regarding this work can be found at the following address: http://eprints.nottingham.ac.uk/end_user_agreement.pdf




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