Mr ADRIAN HAZZARD's Outputs (6)

Jess+: AI and robotics with inclusive music-making (2024)
Presentation / Conference Contribution
Vear, C., Hazzard, A., Moroz, S., & Benerradi, J. (2024, May). Jess+: AI and robotics with inclusive music-making. Presented at CHI '24: Proceedings of the 2024 CHI Conference on Human Factors in Computing Systems, Honalulu, Hawaii

This paper discusses the findings from a cross-sector research project investigating how a digital score created using AI and robotics might stimulate new creative opportunities and relationships within the practices of an inclusive music ensemble. T... Read More about Jess+: AI and robotics with inclusive music-making.

Five Provocations for a More Creative TAS (2023)
Presentation / Conference Contribution
Benford, S., Hazzard, A., Vear, C., Webb, H., Chamberlain, A., Greenhalgh, C., Ramchurn, R., & Marshall, J. (2023, July). Five Provocations for a More Creative TAS. Presented at First International Symposium on Trustworthy Autonomous Systems (TAS 23), Edinburgh, UK

Conventional wisdom has it that trustworthy autonomous systems (AS) should be explainable, dependable, controllable and safe tools for humans to use. Reflecting on a portfolio of artistic applications of TAS leads us adopt an alternative stance and t... Read More about Five Provocations for a More Creative TAS.

Crafting Trajectories of Smart Phone Use at the Opera (2022)
Journal Article
Greenhalgh, C., Hazzard, A., Benford, S., Cliffe, L., & Kelly, E. (2022). Crafting Trajectories of Smart Phone Use at the Opera. ACM Transactions on Computer-Human Interaction, 29(6), 1-37. https://doi.org/10.1145/3531007

Losing Her Voice is a new opera which highlights the challenges of subtly interweaving digital technologies into established cultural forms. Audience members were encouraged to use their own mobile phones to interact with on-stage projections before,... Read More about Crafting Trajectories of Smart Phone Use at the Opera.

From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound (2021)
Journal Article
Chamberlain, A., Hazzard, A., Kelly, E., Bødker, M., & Kallionpää, M. (2021). From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound. Personal and Ubiquitous Computing, 25(4), 617-620. https://doi.org/10.1007/s00779-021-01554-z

This introduction brings together a range of research, a majority of which was presented at the Audio Mostly conference hosted at the University of Nottingham. The conference brings together a range of researchers, industry, designers and educators t... Read More about From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound.

The Audible Artefact: Promoting Cultural Exploration and Engagement with Audio Augmented Reality (2019)
Presentation / Conference Contribution
Cliffe, L., Mansell, J., Cormac, J., Greenhalgh, C., & Hazzard, A. (2019, September). The Audible Artefact: Promoting Cultural Exploration and Engagement with Audio Augmented Reality. Presented at Audio Mostly 2019, Nottingham, UK

This paper introduces two ongoing projects where audio augmented reality is implemented as a means of engaging museum and gallery visitors with audio archive material and associated objects, artworks and artefacts. It outlines some of the issues surr... Read More about The Audible Artefact: Promoting Cultural Exploration and Engagement with Audio Augmented Reality.

Losing Her Voice : an opera in two acts for four singers, chorus, mixed septet and audience mobile phone interaction (2019)
Other
KELLY, E. (2019). Losing Her Voice : an opera in two acts for four singers, chorus, mixed septet and audience mobile phone interaction. Nottingham Lakeside Arts Djanogly Theatre, Nottingham, NG7 2RD

A new interactive opera inspired by America’s first true superstar – Geraldine Farrar, will let the audience be part of the performance, thanks to the collaborative efforts of experts in music and computer science from the University of Nottingham an... Read More about Losing Her Voice : an opera in two acts for four singers, chorus, mixed septet and audience mobile phone interaction.