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JEAN ANDREWS's Outputs (14)

‘Requeiro huma duas e tres vezes’: the confrontation between Ruy López de Villalobos and Jorge de Castro over the Maluku Islands in 1543-4. (2024)
Journal Article
Andrews, J. (2024). ‘Requeiro huma duas e tres vezes’: the confrontation between Ruy López de Villalobos and Jorge de Castro over the Maluku Islands in 1543-4. Journal of Iberian and Latin American Studies, 30(1), 1-18. https://doi.org/10.1080/14701847.2024.2325291

This article examines in detail the exchange of letters between Ruy López de Villalobos, captain general of a significant Spanish fleet which landed on the island of Mindanao in February 1543 and the captain of the Portuguese fort on the Malukan isla... Read More about ‘Requeiro huma duas e tres vezes’: the confrontation between Ruy López de Villalobos and Jorge de Castro over the Maluku Islands in 1543-4..

The Canonization of St Francis Xavier in Spanish Habsburg Lands: A Poetry Challenge in Madrid, Sacristy Paintings by André Reinoso in Lisbon and an Altarpiece by Pieter Pawel Rubens in Antwerp (2023)
Journal Article
Andrews, J. (2023). The Canonization of St Francis Xavier in Spanish Habsburg Lands: A Poetry Challenge in Madrid, Sacristy Paintings by André Reinoso in Lisbon and an Altarpiece by Pieter Pawel Rubens in Antwerp. Religions, 14(12), Article 1505. https://doi.org/10.3390/rel14121505

This article examines Jesuit representation of the exploits of Francis Xavier, ‘the Apostle of the East’, in celebration of his canonization in 1622 and in the Jesuit campaign to have him canonized prior to that. Pageants in Madrid, Lisbon and Antwer... Read More about The Canonization of St Francis Xavier in Spanish Habsburg Lands: A Poetry Challenge in Madrid, Sacristy Paintings by André Reinoso in Lisbon and an Altarpiece by Pieter Pawel Rubens in Antwerp.

Josefa de Ayala e Cabreira's St Catherine Altarpiece and Female Empowerment (2020)
Book Chapter
Andrews, J., & Roe, J. (2020). Josefa de Ayala e Cabreira's St Catherine Altarpiece and Female Empowerment. In Representing Women's Political Identity in the Early Modern World (105-124). Abingdon: Taylor & Francis (Routledge)

This chapter examines Josefa de Ayala's altarpiece on the life of St Catherine of Alexandria (1661) in the parish church of Óbidos, Portugal and the relationship that may be drawn between it and the impending nuptials of Catarina de Bragança and Char... Read More about Josefa de Ayala e Cabreira's St Catherine Altarpiece and Female Empowerment.

Representing Women's Political Identity in the Early Modern World (2020)
Book
Roe, J., & Andrews, J. (Eds.). (2021). Representing Women's Political Identity in the Early Modern World. Abingdon: Taylor & Francis (Routledge). https://doi.org/10.4324/9781351010122

This volume presents a range of new research into the experiences, agencies and diverse political identities of Iberian women between the fifteenth and early twentieth centuries. It explores how the political identities of Iberian women were represen... Read More about Representing Women's Political Identity in the Early Modern World.

Painting and devotion in Golden Age Iberia: Luis de Morales (2020)
Book
Andrews, J. (2020). Painting and devotion in Golden Age Iberia: Luis de Morales. Cardiff: University of Wales Press

Luis de Morales, known as El Divino because of his intensely religious subject matter, is the most significant and recognisable Spanish painter of the mid-sixteenth century, the high point of the Spanish and Portuguese counter-reformations. He spent... Read More about Painting and devotion in Golden Age Iberia: Luis de Morales.

‘A mí, estos pleitos no me interesan’: Carlos Saura’s Llanto por un bandido and banditry in the ominous decade (2017)
Journal Article
Andrews, J. (in press). ‘A mí, estos pleitos no me interesan’: Carlos Saura’s Llanto por un bandido and banditry in the ominous decade. Bulletin of Spanish Studies, 94(6), https://doi.org/10.1080/14753820.2017.1335500

This article argues that Carlos Saura's 1964 film biography of the 1830s Andalusian bandit El Tempranillo, Llanto por un bandido, provides an insight into the impact of the War of Independence (1808–1814) and its aftermath on bandits in terms of phys... Read More about ‘A mí, estos pleitos no me interesan’: Carlos Saura’s Llanto por un bandido and banditry in the ominous decade.

The politics of elegy: Henri IV of France by Villamediana, Quevedo, Góngora, and Rubens (2017)
Journal Article
Andrews, J. (2017). The politics of elegy: Henri IV of France by Villamediana, Quevedo, Góngora, and Rubens. Journal of Romance Studies, 17(1), 1-35. https://doi.org/10.3828/jrs.2017.1

© Institute of Modern Languages Research 2017. This article examines Franco-Spanish political relations in the period from 1610 to 1625 as represented in Spanish poetry and paintings produced in Spain or in the Spanish theatre of influence. The early... Read More about The politics of elegy: Henri IV of France by Villamediana, Quevedo, Góngora, and Rubens.

‘Me juzgo por natural de Madrid’: Vincencio Carducho, theorist and painter of Spain's court capital (2016)
Journal Article
Bass, L. J., & Andrews, J. (in press). ‘Me juzgo por natural de Madrid’: Vincencio Carducho, theorist and painter of Spain's court capital. Bulletin of Spanish Studies, 93(7-8), https://doi.org/10.1080/14753820.2016.1227040

More than a guide for painters, Vicente de Carducho's Diálogos de la pintura has long been recognized to promote painting as a liberal art and to advocate for the creation of an academy of painting in seventeenth-century Madrid. But questions of patr... Read More about ‘Me juzgo por natural de Madrid’: Vincencio Carducho, theorist and painter of Spain's court capital.

Carducho's Late Holy Families and Decorum (2016)
Book Chapter
Andrews, J. (2016). Carducho's Late Holy Families and Decorum. In On Art and Painting: Vicente Carducho and Baroque Spain (183-204). Cardiff: University of Wales Press

This chapter looks at Carducho's depiction of the Holy Family in the context of theological and conventional orthodoxy in seventeenth-century Madrid.

On Art and Painting: Vicente Carducho and Baroque Spain (2016)
Book
Andrews, J., Noble Wood, O., & Roe, J. (Eds.). (2016). On Art and Painting: Vicente Carducho and Baroque Spain. Cardiff: University of Wales Press

This is a collection of essays on the Italo-Spanish painter and art theorist, Vicente Carducho's Dialogues on Painting (1633), covering a range of aspects of his work and its significance for Spanish painting in the seventeenth century.

Poetry and Silence in Post-Civil War Spain: Carmen Conde, Lucía Sánchez Saornil and Pilar de Valderrama (2015)
Book Chapter
Andrews, J. (2015). Poetry and Silence in Post-Civil War Spain: Carmen Conde, Lucía Sánchez Saornil and Pilar de Valderrama. In The Long Aftermath: Cultural Legacies of Europe at War 1936-2016 (40-59). Oxford: Berghahn Books

This chapter looks at three women poets writing during the Spanish Civil War and afterwards - two supporters of the Republican government, one a supporter of the Franco regime, all three condemned in some way to post-war silence and circumspection.

Josefa em Óbidos: mistress of the Cascais Santa Teresa Series (2015)
Book Chapter
Andrews, J. (2015). Josefa em Óbidos: mistress of the Cascais Santa Teresa Series. In A. L. Martín, & . M. C. Quintero (Eds.), Perspectives on Early Modern Women in Iberia and the Americas: Studies in Law, Society, Art and Literature in Honor of Anne J. Cruz, 400-421. Escribana Books

Meyerbeer's "L'Africaine": French grand opera and the Iberian exotic (2007)
Journal Article
Andrews, J. (2007). Meyerbeer's "L'Africaine": French grand opera and the Iberian exotic. Modern Language Review, 102(1),

Meyerbeer's grand opera L'Africaine (1865) tells the story of the sixteenth-century Portuguese explorer Vasco da Gama's triumphant journey back from the east African coast and his love for an African slave. It raises questions relating to the repres... Read More about Meyerbeer's "L'Africaine": French grand opera and the Iberian exotic.