The Past in the Present: Eleanor Antin, Jewish Art and 1990s America

Julius, Chloë

doi:10.1093/arthis/ulae030

All Outputs (5)

Lee Lozano's Revolution, or Quitting Art at the End of the 1960s (2024)
Journal Article
Julius, C. (2024). Lee Lozano's Revolution, or Quitting Art at the End of the 1960s. Panorama: Journal of The Association of Historians of American Art, 10(1), 1-7. https://doi.org/10.24926/24716839.18927

Cases of Citation: On Literature in Art (2024)
Book
Julius, C., Green, M., & Holman, M. (2024). M. Green, & M. Holman (Eds.). Cases of Citation: On Literature in Art. Manchester University Press

Showcasing new scholarship by emerging and established art historians, Cases of Citation tracks a history of artists who incorporated literature into their work. In doing so, this collection investigates why literary citation emerged as a viable and... Read More about Cases of Citation: On Literature in Art.

Citations after the death of the author (2024)
Book Chapter
Julius, C. (2024). Citations after the death of the author. In Cases of Citation: On Literature in Art. Manchester University Press

This essay uses the publication of Roland Barthes’s 1967 essay ‘The Death of the Author’ as a starting point to consider the changed status of citations in art made during and after the 1960s. Setting the scene for the ensuing essays, Julius argues t... Read More about Citations after the death of the author.

Holocaust art (2024)
Book Chapter
Julius, C. (2024). Holocaust art. In Oxford Research Encyclopedia of Religion. Oxford University Press (OUP). https://doi.org/10.1093/acrefore/9780199340378.013.1006

The category of Holocaust art has been established by asking questions, the most vital of which is whether it should be a category of art at all. In this new survey, those questions will provide the organising framework. After addressing the primary... Read More about Holocaust art.

The Past in the Present: Eleanor Antin, Jewish Art and 1990s America (2024)
Journal Article
Julius, C. (2024). The Past in the Present: Eleanor Antin, Jewish Art and 1990s America. Art History, 47(3), 522-540. https://doi.org/10.1093/arthis/ulae030

This essay situates two works by Eleanor Antin—the film The Man Without a World (1991), and the installation Vilna Nights (1993)—in the context of Jewish art as it was articulated in 1990s America. During this period, efforts were made by scholars, c... Read More about The Past in the Present: Eleanor Antin, Jewish Art and 1990s America.