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All Outputs (9)

Staging listening: new methods for engaging audiences with sound in museums (2022)
Journal Article
Mansell, J., De Little, A., & Jamieson, A. (2022). Staging listening: new methods for engaging audiences with sound in museums. Science Museum Group Journal, https://doi.org/10.15180/221704

This article reports on the experimental methodology and key findings of the AHRC-funded impact and engagement project Sonic Futures: Collecting, Curating and Engaging with Sound at the National Science and Media Museum (2020–21). The project underto... Read More about Staging listening: new methods for engaging audiences with sound in museums.

Historical Acoustemology: Past, Present, and Future (2021)
Journal Article
Mansell, J. (2021). Historical Acoustemology: Past, Present, and Future. Music Research Annual, 2, 1-19

This article surveys the field and methodology of historical acoustemology, an interdisciplinary area of study dedicated to understanding past sounds, hearers, and listeners in their historical contexts. The article charts the field’s emergence in th... Read More about Historical Acoustemology: Past, Present, and Future.

Materialising contexts: virtual soundscapes for real-world exploration (2020)
Journal Article
Cliffe, L., Mansell, J., Greenhalgh, C., & Hazzard, A. (2020). Materialising contexts: virtual soundscapes for real-world exploration. Personal and Ubiquitous Computing, https://doi.org/10.1007/s00779-020-01405-3

© 2020, The Author(s). This article presents the results of a study based on a group of participants’ interactions with an experimental sound installation at the National Science and Media Museum in Bradford, UK. The installation used audio augmented... Read More about Materialising contexts: virtual soundscapes for real-world exploration.

Musical modernity and contested commemoration at the festival of remembrance, 1923-1927 (2009)
Journal Article
Mansell, J. G. (2009). Musical modernity and contested commemoration at the festival of remembrance, 1923-1927. Historical Journal, 52(2), 433-454. https://doi.org/10.1017/S0018246X09007535

This article makes the case for incorporating music into the history of war commemoration in 1920s Britain by examining John Foulds's A World Requiem , performed at the British Legion's first Festivals of Remembrance at the Royal Albert Hall between... Read More about Musical modernity and contested commemoration at the festival of remembrance, 1923-1927.