Xenia Pestova
Toy pianos, poor tools: virtuosity and imagination in a limited context
Pestova, Xenia
Authors
Abstract
The toy piano is fast becoming a concert instrument in its own right, with its own (growing) body of repertoire that has moved well beyond John Cage’s 1948 classic Suite for Toy Piano. There are dedicated musicians specialising in toy piano performance all over the world, and numerous composers producing new works written specifically for the toy piano. This unusual miniature instrument provides a respite from the traditional implications of the grand piano, breaks the ice with audiences and allows pianists to perform in locations that would otherwise be inaccessible. In this article the author introduces the history and mechanism of the instrument, performance considerations, extended techniques and approaches to working with electronics, recent repertoire and suggestions for performers and composers. Discussion is supplemented with musical examples.
Citation
Pestova, X. (2017). Toy pianos, poor tools: virtuosity and imagination in a limited context. Tempo, 71(281), 27-38. https://doi.org/10.1017/S0040298217000456
Journal Article Type | Article |
---|---|
Acceptance Date | Feb 28, 2017 |
Online Publication Date | Jun 21, 2017 |
Publication Date | Jul 31, 2017 |
Deposit Date | Nov 17, 2017 |
Publicly Available Date | Nov 17, 2017 |
Journal | Tempo |
Print ISSN | 0040-2982 |
Electronic ISSN | 1478-2286 |
Publisher | Cambridge University Press |
Peer Reviewed | Peer Reviewed |
Volume | 71 |
Issue | 281 |
Pages | 27-38 |
DOI | https://doi.org/10.1017/S0040298217000456 |
Public URL | https://nottingham-repository.worktribe.com/output/875147 |
Publisher URL | https://doi.org/10.1017/S0040298217000456 |
Additional Information | © Cambridge University Press 2017 |
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Figure 3.pdf
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Figure 4.pdf
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Figure 5.pdf
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Figure 6.pdf
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