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Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre

Heffernan, Nick

Authors

Nick Heffernan nick.heffernan@nottingham.ac.uk



Abstract

Recent scholarship exhorts film historians to attend to production cycles in order to interrogate established conceptions of genres. This essay identifies and examines a neglected cycle of gangster regeneration films that flourished between 1910 and 1925 and constituted the prehistory of a genre usually identified with the early 1930s. The gangster regeneration cycle drew from the “slum plays” and “salvation stories” of stage melodrama a set of narrative formulas and thematic concerns that reflected the influence of Progressive ideology. In its attitude to social reform and gender, it stands in sharp distinction to the canonical gangster cycles that succeeded it.

Journal Article Type Article
Publication Date Jul 24, 2017
Journal Film History
Print ISSN 0892-2160
Electronic ISSN 1553-3905
Publisher Indiana University Press
Peer Reviewed Not Peer Reviewed
Volume 29
Issue 2
APA6 Citation Heffernan, N. (2017). Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre. Film History, 29(2), doi:10.2979/ lmhistory.29.2.02
DOI https://doi.org/10.2979/+lmhistory.29.2.02
Keywords film cycles, gangster genre, Progressivism, sentimentalism, gender politics, Jazz Age
Publisher URL http://www.jstor.org/stable/10.2979/filmhistory.29.2.02
Copyright Statement Copyright information regarding this work can be found at the following address: http://eprints.nottingh.../end_user_agreement.pdf

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Slum Plays, Slavation Stories, and Crook Pictures.pdf (305 Kb)
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Copyright Statement
Copyright information regarding this work can be found at the following address: http://eprints.nottingham.ac.uk/end_user_agreement.pdf





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