Slum Plays, Salvation Stories, and Crook Pictures: The Gangster Regeneration Cycle and the Prehistory of the Gangster Genre

Heffernan, Nick

Abstract

Recent scholarship exhorts film historians to attend to production cycles in order to interrogate established conceptions of genres. This essay identifies and examines a neglected cycle of gangster regeneration films that flourished between 1910 and 1925 and constituted the prehistory of a genre usually identified with the early 1930s. The gangster regeneration cycle drew from the “slum plays” and “salvation stories” of stage melodrama a set of narrative formulas and thematic concerns that reflected the influence of Progressive ideology. In its attitude to social reform and gender, it stands in sharp distinction to the canonical gangster cycles that succeeded it.

Citation

Heffernan, N. (2017). Slum Plays, Salvation Stories, and Crook Pictures: The Gangster Regeneration Cycle and the Prehistory of the Gangster Genre. Film History, 29(2), 32-65. https://doi.org/10.2979/filmhistory.29.2.02

• Journal Article Type: Article
• Acceptance Date: Nov 18, 2016
• Publication Date: Jul 24, 2017
• Deposit Date: Jul 28, 2017
• Publicly Available Date: Jan 25, 2019
• Journal: Film History
• Print ISSN: 0892-2160
• Electronic ISSN: 1553-3905
• Publisher: Indiana University Press
• Peer Reviewed: Peer Reviewed
• Volume: 29
• Issue: 2
• Pages: 32-65
• DOI: https://doi.org/10.2979/filmhistory.29.2.02
• Keywords: film cycles, gangster genre, Progressivism, sentimentalism, gender politics, Jazz Age
• Public URL: https://nottingham-repository.worktribe.com/output/874009
• Publisher URL: https://www.jstor.org/stable/10.2979/filmhistory.29.2.02#metadata_info_tab_contents