JOHN MARKS john.marks@nottingham.ac.uk
Associate Professor
‘Ça tient qu'à toi’: cartographies of post-fordist labour in Laurent Cantet's L'Emploi du temps
Marks, John
Authors
Abstract
Drawing on Gilles Deleuze's work on Michel Foucault, control societies and cinema, Laurent Cantet's L'Emploi du temps is analysed as a cartographic rendering of post-Fordist labour. The film creates a pervasive ambiance of liminality and dreamlike disconnection—‘flottement’—around the central character of Vincent in order to convey the affective landscape of post-Fordist immaterial labour (in this case business consultancy). Approaching L'Emploi du temps as a diagram—in Deleuzian terms—of discursive and non-discursive components helps to explain the ways in which the film goes beyond psychoanalytic drama in order to convey a more general sense of a social reality that is frequently problematic and overwhelming for Vincent. Recent work on hypermodernity and the hypermodern self is employed in order to analyse Vincent's behaviour as an example of the kinds of subjectivity produced by control societies. In many cases, the hypermodern individual is fragile, isolated and unpredictable, prone to excessive behaviours and periodic breakdowns. Whereas Cantet's previous film, Ressources humaines, powerfully dramatised a crisis of place, L'Emploi du temps conveys an individual and collective crisis of confidence.
Citation
Marks, J. (in press). ‘Ça tient qu'à toi’: cartographies of post-fordist labour in Laurent Cantet's L'Emploi du temps. Modern and Contemporary France, 19(4), https://doi.org/10.1080/09639489.2011.610166
Journal Article Type | Article |
---|---|
Acceptance Date | Apr 4, 2011 |
Online Publication Date | Nov 9, 2011 |
Deposit Date | Jun 28, 2016 |
Publicly Available Date | Jun 28, 2016 |
Journal | Modern & Contemporary France |
Print ISSN | 0963-9489 |
Electronic ISSN | 1469-9869 |
Publisher | Routledge |
Peer Reviewed | Peer Reviewed |
Volume | 19 |
Issue | 4 |
DOI | https://doi.org/10.1080/09639489.2011.610166 |
Keywords | Laurent Cantet, post-Fordism, hypermodernity, control society |
Public URL | https://nottingham-repository.worktribe.com/output/708744 |
Publisher URL | http://www.tandfonline.com/doi/abs/10.1080/09639489.2011.610166 |
Additional Information | This is an Accepted Manuscript of an article published by Taylor & Francis in Modern and Contemporary France on 9 November 2011, available online: http://www.tandfonline.com/10.1080/09639489.2011.610166 |
Contract Date | Jun 28, 2016 |
Files
Laurent Cantet 2.pdf
(207 Kb)
PDF
You might also like
Clone stories: ‘shallow are the souls that have forgotten how to shudder’
(2010)
Journal Article
Jacques Monod, François Jacob, and the Lysenko affair: boundary work
(2012)
Journal Article
Public discourse and the conceptualization of football in France since 1998
(2014)
Journal Article
Le roman d'entreprise: breaking the silence
(2017)
Journal Article
Lessons from Lysenko
(2017)
Book Chapter
Downloadable Citations
About Repository@Nottingham
Administrator e-mail: discovery-access-systems@nottingham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search