Ms CHLOE JULIUS CHLOE.JULIUS@NOTTINGHAM.AC.UK
Leverhulme Early Career Research Fellow
“And a More Offensive Spectacle I Cannot Recall”: Humour in … No Other Symptoms: Time Travelling with Rosalind Brodsky (1999) by Suzanne Treister
Julius, Chloe
Authors
Abstract
This chapter circles around a joke made in … No Other Symptoms: Time Travelling with Rosalind Brodsky—a CD ROM artwork by Suzanne Treister in 1999—in which the titular character attempts to time travel to the Holocaust in order to save her grandparents but mistakenly arrives on the set of Schindler’s List in 1993. In this joke, Treister points to the potency of Spielberg’s representation in the 1990s imaginary, such that it would supplant memory of the Holocaust itself—or, indeed, impede time travel. Gillian Rose’s 1995 essay ‘Beginnings of the Day: Fascism and Representation’ characterises Schindler’s List in terms of ‘Holocaust Piety’, a tendency she observed in 1990s representations of the Holocaust that sought to render it a moral imperative rather than an historical event. The stakes in such an approach for Rose are clear: posing that the Holocaust was emblematic for the breakdown history, rather than continuous with it, delegitimised its aesthetic representation, thus diminishing the possibilities for overcoming its legacy. By following the humorous exploits of Rosalind Brodsky—the protagonist in … No Other Symptoms and also Treister’s alter ego—this chapter contends that the work offers a model for an unsentimental engagement with the Holocaust that situates it within representation and in history.
Citation
Julius, C. (2023). “And a More Offensive Spectacle I Cannot Recall”: Humour in … No Other Symptoms: Time Travelling with Rosalind Brodsky (1999) by Suzanne Treister. In Comedy in Crisis: Weaponising Humour in Contemporary Art (35-55). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-18961-6_3
Online Publication Date | Apr 14, 2023 |
---|---|
Publication Date | 2023 |
Deposit Date | Oct 2, 2023 |
Publicly Available Date | Apr 15, 2025 |
Publisher | Palgrave Macmillan |
Pages | 35-55 |
Series Title | Palgrave Studies in Comedy |
Book Title | Comedy in Crisis: Weaponising Humour in Contemporary Art |
ISBN | 9783031189609 |
DOI | https://doi.org/10.1007/978-3-031-18961-6_3 |
Public URL | https://nottingham-repository.worktribe.com/output/25670091 |
Publisher URL | https://link.springer.com/chapter/10.1007/978-3-031-18961-6_3 |
Contract Date | Sep 4, 2022 |
Files
This file is under embargo until Apr 15, 2025 due to copyright restrictions.
You might also like
Lee Lozano's Revolution, or Quitting Art at the End of the 1960s
(2024)
Journal Article
Cases of Citation: On Literature in Art
(2024)
Book
Citations after the death of the author
(2024)
Book Chapter
Morris Hirshfield and Art History in the Making
(2023)
Journal Article
Archiving the Archive Art Phenomenon
(2023)
Journal Article
Downloadable Citations
About Repository@Nottingham
Administrator e-mail: discovery-access-systems@nottingham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search