Mapping Critical Anthropocene Discourses in Musical Artefacts: Whiteness, Absence, and the Intersecting “-Cenes” in Prurient’s The History of Aids

Woods, Peter J.

doi:10.1515/culture-2019-0048

Mapping Critical Anthropocene Discourses in Musical Artefacts: Whiteness, Absence, and the Intersecting “-Cenes” in Prurient’s The History of Aids

Woods, Peter J.

Authors

PETER WOODS PETER.WOODS@NOTTINGHAM.AC.UK
Assistant Professor

Citation

Woods, P. J. (2019). Mapping Critical Anthropocene Discourses in Musical Artefacts: Whiteness, Absence, and the Intersecting “-Cenes” in Prurient’s The History of Aids. Open Cultural Studies, 3(1), 541-552. https://doi.org/10.1515/culture-2019-0048

Journal Article Type	Article
Acceptance Date	Sep 13, 2019
Online Publication Date	Nov 8, 2019
Publication Date	Nov 8, 2019
Deposit Date	Mar 13, 2023
Publicly Available Date	Mar 17, 2023
Journal	Open Cultural Studies
Electronic ISSN	2451-3474
Publisher	De Gruyter
Peer Reviewed	Peer Reviewed
Volume	3
Issue	1
Pages	541-552
DOI	https://doi.org/10.1515/culture-2019-0048
Public URL	https://nottingham-repository.worktribe.com/output/18237171
Publisher URL	https://www.degruyter.com/document/doi/10.1515/culture-2019-0048/html

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Mapping Critical Anthropocene Discourses in Musical Artefacts: Whiteness, Absence, and the Intersecting “-Cenes” in Prurient’s The History of Aids (209 Kb)
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https://creativecommons.org/licenses/by/4.0/