Outputs (5)

Under construction – contemporary opera in the crossroads between new aesthetics, techniques, and technologies (2018)
Presentation / Conference Contribution
Kallionpää, M., Chamberlain, A., & Gasselseder, H.-P. (2018, September). Under construction – contemporary opera in the crossroads between new aesthetics, techniques, and technologies. Presented at Audio Mostly 2018: a conference on interaction with sound

Despite of its long history, opera as an art form is constantly evolving. Composers have never lost their fascination about it and keep exploring with innovative aesthetics, techniques, and modes of expression. New technologies, such as Virtual Reali... Read More about Under construction – contemporary opera in the crossroads between new aesthetics, techniques, and technologies.

Designing musical soundtracks for Brain Controlled Interface (BCI) systems (2018)
Presentation / Conference Contribution
Ramchurn, R., Chamberlain, A., & Benford, S. (2018, September). Designing musical soundtracks for Brain Controlled Interface (BCI) systems. Presented at Audio Mostly 2018: a conference on interaction with sound

This paper presents research based on the creation and development of two Brain Controlled Interface (BCI) based film experiences. The focus of this research is primarily on the audio in the films; the way that the overall experiences were designed,... Read More about Designing musical soundtracks for Brain Controlled Interface (BCI) systems.

Surfing with sound: an ethnography of the art of no-input mixing (2018)
Presentation / Conference Contribution
Chamberlain, A. (2018, September). Surfing with sound: an ethnography of the art of no-input mixing. Presented at Audio Mostly 2018: a conference on interaction with sound

The idea of No-Input Mixing may appear at first difficult to understand, after all there is no input, yet artists, performers and sound designers have used a variety of approaches using such feedback systems to create music. This paper uses ethnograp... Read More about Surfing with sound: an ethnography of the art of no-input mixing.

The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces (2018)
Presentation / Conference Contribution
Chamberlain, A., Bødker, M., Kallionpää, M., Ramchurn, R., De Roure, D., Benford, S., Dix, A., & Gasselseder, H.-P. (2018, September). The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces. Presented at Audio Mostly 2018: a conference on interaction with sound

This paper outlines some of the issues that we will be discussing in the workshop “The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces.” Musical creation, performance and consumption is at a... Read More about The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces.

From design fiction to design fact: developing future user experiences with proto-tools (2018)
Book Chapter
Malizia, A., Chamberlain, A., & Willcock, I. (2018). From design fiction to design fact: developing future user experiences with proto-tools. In Human-Computer Interaction. Theories, Methods, and Human Issues 20th International Conference, HCI International 2018, Las Vegas, NV, USA, July 15–20, 2018, Proceedings, Part I (159-168). Springer Publishing Company. https://doi.org/10.1007/978-3-319-91238-7_14

Envision a future where the physical and digital become seamlessly intertwined producing unbounded possibilities from interactions with autonomous cars to the advent of smart cities. Tools and methods to explore the design and development of such eme... Read More about From design fiction to design fact: developing future user experiences with proto-tools.