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Outputs (83)

Principles of Geology and sensory experience at London's Cyclorama (2015)
Journal Article
Hibberd, S. (2015). Principles of Geology and sensory experience at London's Cyclorama. 19th-Century Music, 39(2), https://doi.org/10.1525/ncm.2015.39.2.167

The Cyclorama opened in London in 1848 with a representation of the 1755 Lisbon earthquake that reportedly terrified audiences with its realistic aural and visual effects. During the first half of the century Londoners had been confronted with a rapi... Read More about Principles of Geology and sensory experience at London's Cyclorama.

Surface to Surface (2015)
Physical Artefact
MacLeod, D. Surface to Surface. [Composition (Sound composition)]. Tate Modern

Cut, Strike, Throw, Grip. (2014)
Other
MACLEOD, D. (2014). Cut, Strike, Throw, Grip. St Paul's Concert Hall, Queensgate, Queensgate, Huddersfield HD1 3DH

Cut, Strike, Throw, Grip :: for two keyboards and electronics, commissioned by Kate Halsall premiered at Huddersfield Contemporary Music Festival. Recorded and commercially released on Miniaturised Concertos | Maché, Metier Records, 2016.

St Edmund Between Liturgy and Hagiography (2014)
Book Chapter
Parkes, H. (2014). St Edmund Between Liturgy and Hagiography. In Bury St Edmunds and the Norman Conquest, (131-59). Woodbridge: Boydell and Brewer

Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli (2014)
Journal Article
Baragwanath, N. (2014). Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli. Music and Letters, 95(2), 157-182. https://doi.org/10.1093/ml/gcu010

This article investigates Niccolò Zingarelli's method of text-setting, as documented in Giovanni Battista De Vecchis's Compendio of Neapolitan teachings (1850). It contextualizes De Vecchis's instructions by tracing the genealogy of the concept of 'a... Read More about Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli.