Duke Ellington Studies. Ed. by John Howland. Pp. xxiv 308. (Cambridge University Press, Cambridge and New York, 2017. 75. ISBN 978-1-107-16319-5.
(2018)
Journal Article
Cooke, M. (2018). Duke Ellington Studies. Ed. by John Howland. Pp. xxiv 308. (Cambridge University Press, Cambridge and New York, 2017. 75. ISBN 978-1-107-16319-5. Music and Letters, 99(1), 141-142. https://doi.org/10.1093/ml/gcy015
All Outputs (4)
'A New Symphonism for a New Hollywood: The Musical Language of John Williams's Film Scores' (2018)
Book Chapter
Cooke, M. (2018). 'A New Symphonism for a New Hollywood: The Musical Language of John Williams's Film Scores'. In E. Audissino (Ed.), John Williams: Music for Films, Television, and the Concert Stage. Brepols Publishers
Symphonic Visions: Silent Film Music by Ed Hughes (2018)
Other
Cooke, M. (2018). Symphonic Visions: Silent Film Music by Ed Hughes
Baroque à la Hitchcock: the music of Dangerous Liaisons (1988) (2018)
Book Chapter
Cooke, M. (2018). Baroque à la Hitchcock: the music of Dangerous Liaisons (1988). In J. Cook, A. Kolassa, & A. Whittaker (Eds.), Recomposing the past: representations of early music on stage and screen. RoutledgeGeorge Fenton’s resourceful use of both pastiche and genuine baroque and classical music in the scoring of period-set feature films is nowhere more impressive than in Dangerous Liaisons (1988). Strongly influenced by the films of Alfred Hitchcock, di... Read More about Baroque à la Hitchcock: the music of Dangerous Liaisons (1988).