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Outputs (18)

The end of history?: Contesting the legacy of the 1960s and 1970s in The X-Files (2023)
Book Chapter
Frame, G. (2023). The end of history?: Contesting the legacy of the 1960s and 1970s in The X-Files. In J. Fenwick, & D. A. Rodgers (Eds.), The Legacy of The X-Files (135-147). Bloomsbury Publishing

This chapter examines how The X-Files offered a revisionist historical perspective of the political upheaval the United States experienced through the 1960s and 1970s. It shows how in its relentless questioning of the official record on the assassina... Read More about The end of history?: Contesting the legacy of the 1960s and 1970s in The X-Files.

Bad Hombres at the Border: Masculinity and Mexico in Rambo Last Blood (2022)
Book Chapter
Frame, G. (2022). Bad Hombres at the Border: Masculinity and Mexico in Rambo Last Blood. In H. Loyo, & J. A. Tarancón (Eds.), Screening the Crisis: US Cinema and Social Change in the Wake of the 2008 Crash (279-292). Bloomsbury Academic

The Rambo series (1982-2019) has functioned as a barometer of US domestic and foreign policies across its forty year history. At first a traumatised veteran of the war in Vietnam, John Rambo (Sylvester Stallone) became a hard-bodied defender of US in... Read More about Bad Hombres at the Border: Masculinity and Mexico in Rambo Last Blood.

Teaching Demons and Eating Nazis: Morality in Trump-era Fantasy Comedy (2022)
Book Chapter
Frame, G., & Andrews, H. (2022). Teaching Demons and Eating Nazis: Morality in Trump-era Fantasy Comedy. In K. McNally (Ed.), American Television during a Television Presidency. Wayne State University Press

Donald Trump’s personality is arguably symptomatic of the values of the contemporary era. His aggressive individualism, narcissism and selfishness were no impediment to securing the presidency, which suggests the normalisation, indeed, valorisation,... Read More about Teaching Demons and Eating Nazis: Morality in Trump-era Fantasy Comedy.

Make America Hate Again? The Politics of Vigilante Geriaction (2021)
Journal Article
Frame, G. (2021). Make America Hate Again? The Politics of Vigilante Geriaction. Journal of Popular Film and Television, 49(3), 168-180. https://doi.org/10.1080/01956051.2021.1957337

The article explores the politics of the vigilante geriaction film, with specific focus on the remake of Death Wish (Eli Roth, 2018). In its construction of a nation under mortal threat from within and without, the subgenre is uncritical in its reinf... Read More about Make America Hate Again? The Politics of Vigilante Geriaction.

New Wave, New Hollywood: Reassessment, Recovery, and Legacy (2021)
Book
Abrams, N., & Frame, G. (Eds.). (2021). New Wave, New Hollywood: Reassessment, Recovery, and Legacy. Bloomsbury Publishing

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of c... Read More about New Wave, New Hollywood: Reassessment, Recovery, and Legacy.

New Wave, New Hollywood: Reassessment, Recovery, and Legacy (2021)
Book
Frame, G., & Abrams, N. (Eds.). (2021). New Wave, New Hollywood: Reassessment, Recovery, and Legacy. Bloomsbury Publishing. https://doi.org/10.5040/9781501360374

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of c... Read More about New Wave, New Hollywood: Reassessment, Recovery, and Legacy.

Kubrick and the Critics (2021)
Book Chapter
Frame, G. (2021). Kubrick and the Critics. In N. Abrams, & I. Q. Hunter (Eds.), The Bloomsbury Companion to Stanley Kubrick (75-84). Bloomsbury Publishing

The cultural politics of Jennifer Lawrence as star, actor, celebrity (2020)
Journal Article
Frame, G. (2020). The cultural politics of Jennifer Lawrence as star, actor, celebrity. New Review of Film and Television Studies, 18(3), 345-368. https://doi.org/10.1080/17400309.2020.1790479

Jennifer Lawrence emerged as a major star of American cinema following the collapse of the economy in 2008. This article will argue that her image in the initial phase of her fame (2010–16) is reflective of mainstream culture’s response to the crisis... Read More about The cultural politics of Jennifer Lawrence as star, actor, celebrity.