Outputs (18)

"Friends Of Dorothy": Queerness In and Beyond the MGM Film (2018)
Book Chapter
Robbins, H. (2018). "Friends Of Dorothy": Queerness In and Beyond the MGM Film. In Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond (143-160). Oxford University Press. https://doi.org/10.1093/oso/9780190663179.001.0001

Baroque à la Hitchcock: the music of Dangerous Liaisons (1988) (2018)
Book Chapter
Cooke, M. (2018). Baroque à la Hitchcock: the music of Dangerous Liaisons (1988). In J. Cook, A. Kolassa, & A. Whittaker (Eds.), Recomposing the past: representations of early music on stage and screen. Routledge

George Fenton’s resourceful use of both pastiche and genuine baroque and classical music in the scoring of period-set feature films is nowhere more impressive than in Dangerous Liaisons (1988). Strongly influenced by the films of Alfred Hitchcock, di... Read More about Baroque à la Hitchcock: the music of Dangerous Liaisons (1988).

Approaches to notation in music for piano and live electronics: the performer’s perspective (2017)
Book Chapter
Pestova, X. (2017). Approaches to notation in music for piano and live electronics: the performer’s perspective. In F. Sallis, V. Bertolani, J. Berle, & L. Zattra (Eds.), Live-electronic music: composition, performance, study. Routledge

This chapter examines elements of notation in music for piano and live electronics. The author introduces examples from the repertoire and discusses different notational approaches. These are grouped into three main categories. 1 Graphic notations a... Read More about Approaches to notation in music for piano and live electronics: the performer’s perspective.

Cantor or canonicus? In Search of Musicians and Liturgists in Eleventh-Century Constance (2017)
Book Chapter
Parkes, H. (2017). Cantor or canonicus? In Search of Musicians and Liturgists in Eleventh-Century Constance. In Medieval Cantors and their Craft: Music, Liturgy and the Shaping of History, 800–1500, (103-124). York: York Medieval Press

Troping in Mainz and the (Re-)Construction of Metropolitan Identity (2016)
Book Chapter
PARKES, H. (2016). Troping in Mainz and the (Re-)Construction of Metropolitan Identity. In Mainz und der Mittelalterlichen Metropole: Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900–1400, (125-37). Kassel: Merseburger

Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique (2015)
Book Chapter
Parkes, H. (2015). Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique. In Understanding Medieval Liturgy: Essays in Interpretation, (75-101). Aldershot: Ashgate Publishing

Vogel and Elze tended to defer to Andrieu's wisdom on most matters of interpretation, giving an outward impression of absolute consensus when inwardly they may have felt unqualified to disagree. And as Andrieu's remarkable hypotheses have been replic... Read More about Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique.

Biblical Readings for the Night Office in Eleventh-century Germany: Reconciling Theory and Practice (2015)
Book Chapter
Parkes, H. (2015). Biblical Readings for the Night Office in Eleventh-century Germany: Reconciling Theory and Practice. In Reading the Bible in the Middle Ages (77-100). London: Bloomsbury Publishing. https://doi.org/10.5040/9781474245746.ch-005

St Edmund Between Liturgy and Hagiography (2014)
Book Chapter
Parkes, H. (2014). St Edmund Between Liturgy and Hagiography. In Bury St Edmunds and the Norman Conquest, (131-59). Woodbridge: Boydell and Brewer