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Dr MARK SABINE's Outputs (5)

Lovers, not fighters: Left politics and brandos costumes in Capitães de Abril (2017)
Journal Article
Sabine, M. (in press). Lovers, not fighters: Left politics and brandos costumes in Capitães de Abril. Journal of Romance Studies, 16(2), https://doi.org/10.3828/jrs.2016.160202

The popularity of Maria de Medeiros’s Capitães de Abril [April Captains] (2000) has made it a significant reference point in perceptions and post-memory of the Portuguese revolution. This essay argues that the film presents the 25 April 1974 coup as... Read More about Lovers, not fighters: Left politics and brandos costumes in Capitães de Abril.

José Saramago: history, utopia, and the necessity of error (2016)
Book
Sabine, M. (2016). José Saramago: history, utopia, and the necessity of error. (1). Cambridge: Legenda

Although best known internationally for his ‘allegorical’ novels such as Blindness (1995), in his native Portugal, José Saramago remains most acclaimed for his earlier, richly poetic ‘historical’ novels. This new study of five of these works focuses... Read More about José Saramago: history, utopia, and the necessity of error.

Rebuilding the Angolan body politic: global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004) (2012)
Journal Article
Sabine, M. (2012). Rebuilding the Angolan body politic: global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004). Journal of African Cinemas, 3(2), https://doi.org/10.1386/jac.3.2.201_1

This article uses a reading of Zézé Gamboa's award-winning 2004 feature as a basis for an exploration of post-conflict Angolan screen culture and of its impact both at home and internationally. It considers how O Herói’s depiction of a war-torn natio... Read More about Rebuilding the Angolan body politic: global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004).