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The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050 (2015)
Book
Parkes, H. (2015). The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050. Cambridge: Cambridge University Press. https://doi.org/10.1017/cbo9781316014752

This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest... Read More about The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050.

Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique (2015)
Book Chapter
Parkes, H. (2015). Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique. In Understanding Medieval Liturgy: Essays in Interpretation, (75-101). Aldershot: Ashgate Publishing

Vogel and Elze tended to defer to Andrieu's wisdom on most matters of interpretation, giving an outward impression of absolute consensus when inwardly they may have felt unqualified to disagree. And as Andrieu's remarkable hypotheses have been replic... Read More about Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique.

Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival (2015)
Journal Article
Ó Briain, L. (2015). Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival. Journal of World Popular Music, 2(2), 289-306. https://doi.org/10.1558/jwpm.v2i2.26561

This article examines attempts by American Hmong to turn the thriving Hmong digital diaspora into a sustainable offline musical community. The Hmong, an ethnic group of five million people spread across five continents, have embraced YouTube as a pri... Read More about Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival.

The Cries of Peckham Rye (2015)
Other
MACLEOD, D. (2015). The Cries of Peckham Rye

Electroacoustic composition for choir and electronics performed by Dulwich Folk Choir, with text written by poet Jane Yeh. Commissioned by Sarah Turner to feature in the film Public House with funds from Film London and The Arts Council of England.... Read More about The Cries of Peckham Rye.

Principles of Geology and sensory experience at London's Cyclorama (2015)
Journal Article
Hibberd, S. (2015). Principles of Geology and sensory experience at London's Cyclorama. 19th-Century Music, 39(2), https://doi.org/10.1525/ncm.2015.39.2.167

The Cyclorama opened in London in 1848 with a representation of the 1755 Lisbon earthquake that reportedly terrified audiences with its realistic aural and visual effects. During the first half of the century Londoners had been confronted with a rapi... Read More about Principles of Geology and sensory experience at London's Cyclorama.

Cut, Strike, Throw, Grip. (2014)
Other
MACLEOD, D. (2014). Cut, Strike, Throw, Grip. St Paul's Concert Hall, Queensgate, Queensgate, Huddersfield HD1 3DH

Cut, Strike, Throw, Grip :: for two keyboards and electronics, commissioned by Kate Halsall premiered at Huddersfield Contemporary Music Festival. Recorded and commercially released on Miniaturised Concertos | Maché, Metier Records, 2016.

St Edmund Between Liturgy and Hagiography (2014)
Book Chapter
Parkes, H. (2014). St Edmund Between Liturgy and Hagiography. In Bury St Edmunds and the Norman Conquest, (131-59). Woodbridge: Boydell and Brewer

Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli (2014)
Journal Article
Baragwanath, N. (2014). Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli. Music and Letters, 95(2), 157-182. https://doi.org/10.1093/ml/gcu010

This article investigates Niccolò Zingarelli's method of text-setting, as documented in Giovanni Battista De Vecchis's Compendio of Neapolitan teachings (1850). It contextualizes De Vecchis's instructions by tracing the genealogy of the concept of 'a... Read More about Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli.

Futurism in Venice, Crisis and "la musica dell'avvenire", 1924 (2014)
Journal Article
BOYD, H. (2014). Futurism in Venice, Crisis and "la musica dell'avvenire", 1924. California Italian Studies, 4(1),

In January 1924 the latest incarnation of Futurist music theatre, Il nuovo teatro futurista, began a twenty-eight city tour of the peninsula. The Venice stopover, at the Teatro Goldoni on January 25, prompted a flurry of media activity. Press repor... Read More about Futurism in Venice, Crisis and "la musica dell'avvenire", 1924.