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All Outputs (8)

The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys (2020)
Book Chapter
Macleod, D. (2020). The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys. In The political voice (28-37). London: Theatrum Mundi

The history of London’s markets is a noisy one, where the ambient buzz of the crowd is overlaid with the musical Cries of the people who work there. In this chapter, Duncan MacLeod reflects on the sociological and sonic history of those cries, and dr... Read More about The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys.

By the light of the moon.... (2020)
Other
Macleod, D. (2020). By the light of the moon.... [Score]. Nottingham, Lakeside Arts

By the light of the moon is the first in a series of short works for toy piano, piano and electronics that draw upon the poetry of Edward Lear. In this work, I start with the third verse of Lear’s famed poem, The Owl and the Pussy-cat, in which the c... Read More about By the light of the moon.....

Between Beethoven and Mendelssohn: Biographical Constructions of Berlioz in the London Press (2020)
Journal Article
Cormac, J. (2020). Between Beethoven and Mendelssohn: Biographical Constructions of Berlioz in the London Press. 19th-Century Music, 44(2), 80-99. https://doi.org/10.1525/ncm.2020.44.2.80

In 1853 a writer for the London-based periodical Fraser's Magazine remarked that Berlioz's “heroic temperament” could be “read legibly in the noble style of his compositions. His own life forms to these works the most interesting accompaniment and co... Read More about Between Beethoven and Mendelssohn: Biographical Constructions of Berlioz in the London Press.

The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century (2020)
Book
Baragwanath, N. (2020). The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century. New York: Oxford University Press (OUP). https://doi.org/10.1093/oso/9780197514085.001.0001

How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers of the time write operas in a matter of days? The secret lies in the solfeggio tradition,... Read More about The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century.

Musical Portraits of St Guthlac (2020)
Book Chapter
Parkes, H. (2020). Musical Portraits of St Guthlac. In Guthlac: Crowland's Saint (277-297). Donington: Shaun Tyas

“I Can’t Be What You Expect of Me”: Power, Palatability, and Shame in Frozen: The Broadway Musical (2020)
Journal Article
Robbins, H. (2020). “I Can’t Be What You Expect of Me”: Power, Palatability, and Shame in Frozen: The Broadway Musical. Arts, 9(1), Article 39. https://doi.org/10.3390/arts9010039

This article combines critical, cultural, and musical analysis to situate Frozen: The Broadway Musical as a distinct work within Disney’s wider franchise. In this article, I consider the evolution of Elsa’s character on stage and the role of addition... Read More about “I Can’t Be What You Expect of Me”: Power, Palatability, and Shame in Frozen: The Broadway Musical.

Henry II, liturgical patronage and the birth of the ‘Romano‐German Pontifical’ (2020)
Journal Article
Parkes, H. (2020). Henry II, liturgical patronage and the birth of the ‘Romano‐German Pontifical’. Early Medieval Europe, 28(1), 104-141. https://doi.org/10.1111/emed.12389

Variously acclaimed as coepiscopus, saint and Mönchskönig, Henry II of Germany has always had a reputation as a quasi‐religious figure. This article goes a step further, appending to his résumé the creation of the wildly successful liturgical traditi... Read More about Henry II, liturgical patronage and the birth of the ‘Romano‐German Pontifical’.