All Outputs (9)

The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050 (2015)
Book
Parkes, H. (2015). The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050. Cambridge: Cambridge University Press. https://doi.org/10.1017/cbo9781316014752

This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest... Read More about The Making of Liturgy in the Ottonian Church: Books, Music and Ritual in Mainz, 950–1050.

Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique (2015)
Book Chapter
Parkes, H. (2015). Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique. In Understanding Medieval Liturgy: Essays in Interpretation, (75-101). Aldershot: Ashgate Publishing

Vogel and Elze tended to defer to Andrieu's wisdom on most matters of interpretation, giving an outward impression of absolute consensus when inwardly they may have felt unqualified to disagree. And as Andrieu's remarkable hypotheses have been replic... Read More about Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique.

Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival (2015)
Journal Article
Ó Briain, L. (2015). Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival. Journal of World Popular Music, 2(2), 289-306. https://doi.org/10.1558/jwpm.v2i2.26561

This article examines attempts by American Hmong to turn the thriving Hmong digital diaspora into a sustainable offline musical community. The Hmong, an ethnic group of five million people spread across five continents, have embraced YouTube as a pri... Read More about Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival.

The Cries of Peckham Rye (2015)
Other
MACLEOD, D. (2015). The Cries of Peckham Rye

Electroacoustic composition for choir and electronics performed by Dulwich Folk Choir, with text written by poet Jane Yeh. Commissioned by Sarah Turner to feature in the film Public House with funds from Film London and The Arts Council of England.... Read More about The Cries of Peckham Rye.

Biblical Readings for the Night Office in Eleventh-century Germany: Reconciling Theory and Practice (2015)
Book Chapter
Parkes, H. (2015). Biblical Readings for the Night Office in Eleventh-century Germany: Reconciling Theory and Practice. In Reading the Bible in the Middle Ages, (77-100). London: Bloomsbury Publishing. https://doi.org/10.5040/9781474245746.ch-005

Note from the Guest Editor (2015)
Journal Article
Hibberd, S. (2015). Note from the Guest Editor. 19th-Century Music, 39(2), https://doi.org/10.1525/ncm.2015.39.2.83

Principles of Geology and sensory experience at London's Cyclorama (2015)
Journal Article
Hibberd, S. (2015). Principles of Geology and sensory experience at London's Cyclorama. 19th-Century Music, 39(2), https://doi.org/10.1525/ncm.2015.39.2.167

The Cyclorama opened in London in 1848 with a representation of the 1755 Lisbon earthquake that reportedly terrified audiences with its realistic aural and visual effects. During the first half of the century Londoners had been confronted with a rapi... Read More about Principles of Geology and sensory experience at London's Cyclorama.

Surface to Surface (2015)
Physical Artefact
MacLeod, D. Surface to Surface

Modernist Mise-en-scène: Luigi Nono and the Politics of Staging (2015)
Journal Article
Boyd-Bennett, H. (2015). Modernist Mise-en-scène: Luigi Nono and the Politics of Staging. Journal of the Royal Musical Association, 140(1), 225-235. https://doi.org/10.1080/02690403.2015.1008869