All Outputs (18)

Digital Musicianship: Evaluation of the Digital Score Research from the North American Tour 2023 (2024)
Book Chapter
Moroz, S., & Vear, C. (2024). Digital Musicianship: Evaluation of the Digital Score Research from the North American Tour 2023. In K. A., P. R., M. I. C., P. J. B., G. S., O. M., …S. A (Eds.), GAPS2 - Global Arts and Psychology Seminar "Creativity in music and the arts": 14-16 September 2023 York, Graz, La Plata, & Melbourne: BOOK OF ABSTRACTS. University of Graz. https://doi.org/10.25364/554.2024.1

At the start of 2023, DigiScore visited the US and North America to evaluate higher education music students’ wants and needs from digital musicianship education through engagement with digital scores. This work is part of the DigiScore research proj... Read More about Digital Musicianship: Evaluation of the Digital Score Research from the North American Tour 2023.

Musikalische und liturgische Kreativität in der Umgebung Heinrichs II (2024)
Book Chapter
Parkes, H. (2024). Musikalische und liturgische Kreativität in der Umgebung Heinrichs II. In C. Rolker (Ed.), Kaiser Heinrich II.: Herrschaft, Handschriften und Heiligkeit im Mittelalter (189-210). University of Bamberg Press. https://doi.org/10.20378/irb-92716

Towards a Definition of the “Romano-German Pontifical” and Back (2023)
Book Chapter
Parkes, H. (2023). Towards a Definition of the “Romano-German Pontifical” and Back. In H. Buchinger, & A. Irving (Eds.), On the Typology of Liturgical Books from the Western Middle Ages / Zur Typologie liturgischer Bücher des westlichen Mittelalters (275-301). Münster: ‎ Aschendorff Verlag

Embodied AI and Musicking Robotics (2022)
Book Chapter
Vear, C. (2022). Embodied AI and Musicking Robotics. In C. Vear, & F. Poltronieri (Eds.), The Language of Creative AI: Practices, Aesthetics and Structures (113-135). Springer International Publishing. https://doi.org/10.1007/978-3-031-10960-7_7

This chapter discusses a hypothesis for embodied AI and its development with music robots. It proposes a solution to the challenge: if we want AI/robots to join us inside the creative acts of music, then how do we design and develop systems that prio... Read More about Embodied AI and Musicking Robotics.

Introduction (2022)
Book Chapter
VEAR, C., & Poltronieri, F. (2022). Introduction. In C. Vear, & . F. Poltronieri (Eds.), The Language of Creative AI: Practices, Aesthetics and Structures (xvii-xix). Cambridge: Springer

Simply put creative AI is the application of artificial intelligence (AI) in creative activities. This definition encompasses a broad range of pursuits, approaches, and perspectives, but for us the overall goal seems to be to enhance human creativity... Read More about Introduction.

Theology and teleology in the festal Night Office: what performance directions reveal about the design and experience of historiae (2021)
Book Chapter
Parkes, H. (2021). Theology and teleology in the festal Night Office: what performance directions reveal about the design and experience of historiae. In L. Zanoncelli, M. Gozzi, S. Rankin, R. Hankeln, & D. Hiley (Eds.), Historiae: Liturgical Chant for Offices of the Saints in the Middle Ages (33-55). Venice: Fondazione Levi

The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys (2020)
Book Chapter
Macleod, D. (2020). The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys. In The political voice (28-37). London: Theatrum Mundi

The history of London’s markets is a noisy one, where the ambient buzz of the crowd is overlaid with the musical Cries of the people who work there. In this chapter, Duncan MacLeod reflects on the sociological and sonic history of those cries, and dr... Read More about The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys.

Musical Portraits of St Guthlac (2020)
Book Chapter
Parkes, H. (2020). Musical Portraits of St Guthlac. In Guthlac: Crowland's Saint (277-297). Donington: Shaun Tyas

'Too Darn Hot': Reimagining Kiss Me Kate For The Silver Screen (2019)
Book Chapter
Robbins, H. (2019). 'Too Darn Hot': Reimagining Kiss Me Kate For The Silver Screen. In The Oxford Handbook of Musical Theatre Screen Adaptations (273-292). New York: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190469993.013.7

This chapter looks at sexuality in the movie Kiss Me Kate, and it is also viewed through the lens of race. Although the film seems on the surface to be a comparatively faithful adaptation of the stage musical, the chapter highlights that it betrays t... Read More about 'Too Darn Hot': Reimagining Kiss Me Kate For The Silver Screen.

A Bridge Too Far?: Music in the British War Film, 1945?1979 (2019)
Book Chapter
Cooke, M. (2019). A Bridge Too Far?: Music in the British War Film, 1945?1979. In M. Baumgartner, & E. Boczkowska (Eds.), Music, Memory, Nostalgia and Trauma in European Cinema after the Second World War. Taylor & Francis (Routledge)

"Friends Of Dorothy": Queerness In and Beyond the MGM Film (2018)
Book Chapter
Robbins, H. (2018). "Friends Of Dorothy": Queerness In and Beyond the MGM Film. In Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond (143-160). Oxford University Press. https://doi.org/10.1093/oso/9780190663179.001.0001

Baroque à la Hitchcock: the music of Dangerous Liaisons (1988) (2018)
Book Chapter
Cooke, M. (2018). Baroque à la Hitchcock: the music of Dangerous Liaisons (1988). In J. Cook, A. Kolassa, & A. Whittaker (Eds.), Recomposing the past: representations of early music on stage and screen. Routledge

George Fenton’s resourceful use of both pastiche and genuine baroque and classical music in the scoring of period-set feature films is nowhere more impressive than in Dangerous Liaisons (1988). Strongly influenced by the films of Alfred Hitchcock, di... Read More about Baroque à la Hitchcock: the music of Dangerous Liaisons (1988).

Approaches to notation in music for piano and live electronics: the performer’s perspective (2017)
Book Chapter
Pestova, X. (2017). Approaches to notation in music for piano and live electronics: the performer’s perspective. In F. Sallis, V. Bertolani, J. Berle, & L. Zattra (Eds.), Live-electronic music: composition, performance, study. Routledge

This chapter examines elements of notation in music for piano and live electronics. The author introduces examples from the repertoire and discusses different notational approaches. These are grouped into three main categories. 1 Graphic notations a... Read More about Approaches to notation in music for piano and live electronics: the performer’s perspective.

Cantor or canonicus? In Search of Musicians and Liturgists in Eleventh-Century Constance (2017)
Book Chapter
Parkes, H. (2017). Cantor or canonicus? In Search of Musicians and Liturgists in Eleventh-Century Constance. In Medieval Cantors and their Craft: Music, Liturgy and the Shaping of History, 800–1500, (103-124). York: York Medieval Press

Troping in Mainz and the (Re-)Construction of Metropolitan Identity (2016)
Book Chapter
PARKES, H. (2016). Troping in Mainz and the (Re-)Construction of Metropolitan Identity. In Mainz und der Mittelalterlichen Metropole: Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900–1400, (125-37). Kassel: Merseburger

Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique (2015)
Book Chapter
Parkes, H. (2015). Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique. In Understanding Medieval Liturgy: Essays in Interpretation, (75-101). Aldershot: Ashgate Publishing

Vogel and Elze tended to defer to Andrieu's wisdom on most matters of interpretation, giving an outward impression of absolute consensus when inwardly they may have felt unqualified to disagree. And as Andrieu's remarkable hypotheses have been replic... Read More about Questioning the Authority of Vogel and Elze’s Pontifical Romano-Germanique.

Biblical Readings for the Night Office in Eleventh-century Germany: Reconciling Theory and Practice (2015)
Book Chapter
Parkes, H. (2015). Biblical Readings for the Night Office in Eleventh-century Germany: Reconciling Theory and Practice. In Reading the Bible in the Middle Ages, (77-100). London: Bloomsbury Publishing. https://doi.org/10.5040/9781474245746.ch-005

St Edmund Between Liturgy and Hagiography (2014)
Book Chapter
Parkes, H. (2014). St Edmund Between Liturgy and Hagiography. In Bury St Edmunds and the Norman Conquest, (131-59). Woodbridge: Boydell and Brewer