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Musical cosmopolitanism in late-colonial Hanoi (2018)
Journal Article
Ó Briain, L. (2018). Musical cosmopolitanism in late-colonial Hanoi. Ethnomusicology Forum, doi:10.1080/17411912.2018.1521728

This article investigates how radio was used to amplify the reach of vernacular forms of musical cosmopolitanism in late-colonial Hanoi. Between 1948 and the early 1950s, the musicians of Việt Nhạc – the first all-Vietnamese ensemble to appear regula... Read More

A landscape of design: interaction, interpretation and the development of experimental expressive interfaces (2018)
Book
Chamberlain, A., Bødker, M., De Roure, D., Willcox, P., Emsley, I., & Malizia, A. (2018). A landscape of design: interaction, interpretation and the development of experimental expressive interfaces. In Human-computer interaction: theories, methods, and human issues: 20th International Conference, HCI International 2018, Las Vegas, NV, USA, July 15–20, 2018, Proceedings, Part I, 24-34. Cham: Springer International Publishing. doi:10.1007/978-3-319-91238-7_3

This paper presents the initial research insights of an ongoing research project that focuses upon understanding the role of landscape, its use as a resource for designing interfaces for musical expression, and as a tool for leveraging ethnographic u... Read More

Baroque à la Hitchcock: the music of Dangerous Liaisons (1988) (2018)
Book Chapter
Cooke, M. (2018). Baroque à la Hitchcock: the music of Dangerous Liaisons (1988). In J. Cook, A. Kolassa, & A. Whittaker (Eds.), Recomposing the past: representations of early music on stage and screenRoutledge

George Fenton’s resourceful use of both pastiche and genuine baroque and classical music in the scoring of period-set feature films is nowhere more impressive than in Dangerous Liaisons (1988). Strongly influenced by the films of Alfred Hitchcock, di... Read More