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All Outputs (7)

Cut, Strike, Throw, Grip. (2014)
Other
MACLEOD, D. (2014). Cut, Strike, Throw, Grip. St Paul's Concert Hall, Queensgate, Queensgate, Huddersfield HD1 3DH

Cut, Strike, Throw, Grip :: for two keyboards and electronics, commissioned by Kate Halsall premiered at Huddersfield Contemporary Music Festival. Recorded and commercially released on Miniaturised Concertos | Maché, Metier Records, 2016.

St Edmund Between Liturgy and Hagiography (2014)
Book Chapter
Parkes, H. (2014). St Edmund Between Liturgy and Hagiography. In Bury St Edmunds and the Norman Conquest, (131-59). Woodbridge: Boydell and Brewer

Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli (2014)
Journal Article
Baragwanath, N. (2014). Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli. Music and Letters, 95(2), 157-182. https://doi.org/10.1093/ml/gcu010

This article investigates Niccolò Zingarelli's method of text-setting, as documented in Giovanni Battista De Vecchis's Compendio of Neapolitan teachings (1850). It contextualizes De Vecchis's instructions by tracing the genealogy of the concept of 'a... Read More about Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli.

Futurism in Venice, Crisis and "la musica dell'avvenire", 1924 (2014)
Journal Article
BOYD, H. (2014). Futurism in Venice, Crisis and "la musica dell'avvenire", 1924. California Italian Studies, 4(1),

In January 1924 the latest incarnation of Futurist music theatre, Il nuovo teatro futurista, began a twenty-eight city tour of the peninsula. The Venice stopover, at the Teatro Goldoni on January 25, prompted a flurry of media activity. Press repor... Read More about Futurism in Venice, Crisis and "la musica dell'avvenire", 1924.