“Bartleby” and the magazine fiction
(2013)
Book Chapter
Thompson, G. (2013). “Bartleby” and the magazine fiction. In R. S. Levine (Ed.), The New Cambridge Companion to Herman Melville (99-12). Cambridge University Press. https://doi.org/10.1017/CCO9781139149952.009
All Outputs (7)
The New Left wasn't so new (2013)
Journal Article
Phelps, C. (2013). The New Left wasn't so new. Dissent, 60(4), https://doi.org/10.1353/dss.2013.0082Examination of relationship of Old Left to New Left in U.S. political history and validity of Old Left and New Left as concepts.
The advancement of 'Science': James McKeen Cattell and the networks of prestige and authority, 1894-1915 (2013)
Journal Article
Vandome, R. (2013). The advancement of 'Science': James McKeen Cattell and the networks of prestige and authority, 1894-1915. American Periodicals, 23(2), https://doi.org/10.1353/amp.2013.0011
Remembering slavery on screen: Paul Robeson in The Song of Freedom (1936) (2013)
Journal Article
Durkin, H. (2013). Remembering slavery on screen: Paul Robeson in The Song of Freedom (1936). Slavery and Abolition, 34(2), https://doi.org/10.1080/0144039X.2013.791176This article examines cinematic remembrances of the Atlantic slave trade through the lens of Paul Robeson-starring British film The Song of Freedom (1936). An exceptional visualization of the horrors of the Middle Passage in transatlantic interwar ci... Read More about Remembering slavery on screen: Paul Robeson in The Song of Freedom (1936).
Am I still not a man and a brother?: protest memory in contemporary antislavery visual culture (2013)
Journal Article
Trodd, Z. (2013). Am I still not a man and a brother?: protest memory in contemporary antislavery visual culture. Slavery and Abolition, 34(2), https://doi.org/10.1080/0144039X.2013.791172This article examines the visual culture of the twenty-first century antislavery movement, arguing that it adapts four main icons of eighteenth- and nineteenth-century abolitionism for its contemporary campaigns against global slavery and human tra... Read More about Am I still not a man and a brother?: protest memory in contemporary antislavery visual culture.
Art across frontiers : cross-cultural encounters in America : introduction (2013)
Journal Article
Lewthwaite, S. (in press). Art across frontiers : cross-cultural encounters in America : introduction. Journal of American Studies, 47(2), https://doi.org/10.1017/S0021875813000108This short introduction provides a brief overview of the collection, by addressing the main historiographical and theoretical concerns that unite the individual contributions and by placing the essays in comparative, inter-American and interdisciplin... Read More about Art across frontiers : cross-cultural encounters in America : introduction.
Cinematic “pas de deux”: the dialogue between Maya Deren's experimental filmmaking and Talley Beatty's black ballet dancer in A Study in Choreography for Camera (1945) (2013)
Journal Article
Durkin, H. (2013). Cinematic “pas de deux”: the dialogue between Maya Deren's experimental filmmaking and Talley Beatty's black ballet dancer in A Study in Choreography for Camera (1945). Journal of American Studies, 47(2), 385-403. https://doi.org/10.1017/S0021875813000121A Study in Choreography for Camera (1945) is a collaborative enterprise between avant-garde filmmaker Maya Deren and African American ballet dancer Talley Beatty. Study is significant in experimental film history – it was one of three films by Deren... Read More about Cinematic “pas de deux”: the dialogue between Maya Deren's experimental filmmaking and Talley Beatty's black ballet dancer in A Study in Choreography for Camera (1945).