All Outputs (4)

From Screenwriting for Sound to film sound maps: the evolution of live tone's creative alliance with Bong Joon-ho (2018)
Journal Article
Lee, N. J. Y., & Stringer, J. (2018). From Screenwriting for Sound to film sound maps: the evolution of live tone's creative alliance with Bong Joon-ho. New Soundtrack, 8(2), 145-159. https://doi.org/10.3366/sound.2018.0127

In Screenwriting for Sound, Randy Thom makes a persuasive case that sound designers should be involved in film production ‘as early as the screenplay…early participation of sound can make a big difference’. Drawing on a critically neglected yet inter... Read More about From Screenwriting for Sound to film sound maps: the evolution of live tone's creative alliance with Bong Joon-ho.

Snowpiercer: Sound Designable Voices and the South Korean Global Film (2017)
Book Chapter
Stringer, J., & Lee, N. (2017). Snowpiercer: Sound Designable Voices and the South Korean Global Film. In T. Whittaker, & S. Wright (Eds.), Locating the Voice in Film: Critical Approaches and Global Practices, 263-277. Oxford University Press

Location filmmaking and the Hong Kong crime film: anatomy of a scene (2016)
Book Chapter
Stringer, J. (2016). Location filmmaking and the Hong Kong crime film: anatomy of a scene. In T. Williams, & E. Yau (Eds.), Hong Kong Neo-Noir. Edinburgh University Press

Film festivals in Asia: notes on history, geography and power from a distance (2016)
Book Chapter
Stringer, J. (2016). Film festivals in Asia: notes on history, geography and power from a distance. In M. de Valck, B. Kredell, & S. Loist (Eds.), Film Festivals: History, Theory, Method, Practice, 34-48. Taylor & Francis (Routledge)