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The Sherwood Foresters of 1916: memories and memorials (2018)
Journal Article
Moran, J., & Cullen, F. (2018). The Sherwood Foresters of 1916: memories and memorials. Irish Studies Review, 26(4), 436-454. doi:10.1080/09670882.2018.1514659

This paper examines the memorialisation of the Sherwood Foresters who fought during the Easter Rising of 1916 in Dublin. These men, from Nottinghamshire and Derbyshire in the English midlands, suffered the greatest casualties of the British regiments... Read More

The VANDELS ESO public spectroscopic survey: Observations and first data release (2018)
Journal Article
Pentericci, L., McLure, R. J., Garilli, B., Cucciati, O., Franzetti, P., Iovino, A., …Zucca, E. (2018). The VANDELS ESO public spectroscopic survey: Observations and first data release. Astronomy and Astrophysics, 616, 1-15. doi:10.1051/0004-6361/201833047

This paper describes the observations and the first data release (DR1) of the ESO public spectroscopic survey “VANDELS, a deep VIMOS survey of the CANDELS CDFS and UDS fields”. The main targets of VANDELS are star-forming galaxies at redshift 2.4 < z... Read More

Migrating objects: John Henry Foley and empire (2017)
Book
Cullen, F. (2017). Migrating objects: John Henry Foley and empire. In J. David, K. Wager, & M. Klemencic (Eds.), Artists and migration 1400-1850. Britain, Europe and beyondCambridge Scholars Press

This is a chapter in a book entitled, Artists and Migration 1400-1850. Britain, Europe and beyond, edited by Kathrin Wagner, Jessica David and Matej Klemencic, published by Cambridge Scholars Press in 2017. The collection came out of a conference in... Read More

Parliament as theatre: Francis Wheatley's The Irish House of Commons revisited (2016)
Book
Cullen, F. (2016). Parliament as theatre: Francis Wheatley's The Irish House of Commons revisited. In R. Kenny, J. Fenlon, C. Pegum, & B. Rooney (Eds.), Irish Fine Art in the Early Modern Period: New Perspectives on Artistic Practice, 1620-1820Irish Academic Press

Examination of a painting produced in Dublin in 1780 of the interior of the Irish House of Commons. Explores the format of the painting and its failure as a large scale work of contemporary history. Concludes that contents of picture is a political a... Read More