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Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art

Gladston, Paul

Authors

Paul Gladston paul.gladston@nottingham.ac.uk



Abstract

Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new theoretical paradigms.

Journal Article Type Article
Publication Date Jan 1, 2014
Journal Tate Papers
Print ISSN 1753-9854
Electronic ISSN 1753-9854
Publisher Tate Research
Peer Reviewed Peer Reviewed
Issue 21
APA6 Citation Gladston, P. (2014). Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art. Tate Papers,
Publisher URL http://www.tate.org.uk/research/publications/tate-papers/21/somewhere-and-nowhere-between-modernity-and-tradition-towards-a-critique-of-international-and-indigenous-perspectives-on-the-significance-of-contemporary-chinese-art
Copyright Statement Copyright information regarding this work can be found at the following address: http://creativecommons.org/licenses/by/4.0

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Copyright Statement
Copyright information regarding this work can be found at the following address: http://creativecommons.org/licenses/by/4.0





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