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Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art

Gladston, Paul

Authors

Paul Gladston



Abstract

Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new theoretical paradigms.

Citation

Gladston, P. (2014). Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art. Tate Papers,

Journal Article Type Article
Publication Date Jan 1, 2014
Deposit Date Nov 16, 2015
Publicly Available Date Nov 16, 2015
Journal Tate Papers
Print ISSN 1753-9854
Electronic ISSN 1753-9854
Publisher Tate Research
Peer Reviewed Peer Reviewed
Issue 21
Public URL https://nottingham-repository.worktribe.com/output/998559
Publisher URL http://www.tate.org.uk/research/publications/tate-papers/21/somewhere-and-nowhere-between-modernity-and-tradition-towards-a-critique-of-international-and-indigenous-perspectives-on-the-significance-of-contemporary-chinese-art

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Copyright Statement
Copyright information regarding this work can be found at the following address: http://creativecommons.org/licenses/by/4.0





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