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Emancipation from work or emancipation through work? Aesthetics of work and idleness in recent French thought

Lane, Jeremy F.

Authors

JEREMY LANE jeremy.lane@nottingham.ac.uk
Professor of French & Critical Theory



Abstract

In Le Capitalisme cognitif (2007), Yann Moulier Boutang argues that, under Post-Fordism, workers are expected to invest ever more of their creative, affective, and cognitive powers in their labours. These eminently human qualities, he maintains, are inherently resistant to capture and exploitation by capitalism. Hence, their integration into the capitalist system risks provoking that system’s downfall, heralding the emergence of an Aesthetic State in which work itself will be modelled on disinterested creative activity and genuine emancipation will follow. Moulier Boutang is a leading representative of the French brand of néo-opéraïste thought and his work typifies the manner in which néo-operaïstes understand the relationships between work, aesthetics, and political emancipation. This is an understanding that stands in stark contrast to the work of Jacques Rancière. For Rancière, emancipation can only come through an escape from work, in moments of idleness that are prefigured in the disinterested nature of aesthetic experience. This article will examine the nature and stakes of this striking contrast between Moulier Boutang’s ‘aesthetics of work’ and Rancière’s ‘aesthetics of idleness’, between the former’s belief in the possibility of emancipation through work and the latter’s focus on the possibilities of emancipation from work.

Citation

Lane, J. F. (2016). Emancipation from work or emancipation through work? Aesthetics of work and idleness in recent French thought. Nottingham French Studies, 55(1), https://doi.org/10.3366/nfs.2016.0140

Journal Article Type Article
Acceptance Date Jan 17, 2015
Online Publication Date Feb 1, 2016
Publication Date Mar 1, 2016
Deposit Date Jun 10, 2016
Publicly Available Date Jun 10, 2016
Journal Nottingham French Studies
Print ISSN 0029-4586
Electronic ISSN 2047-7236
Publisher Edinburgh University Press
Peer Reviewed Peer Reviewed
Volume 55
Issue 1
DOI https://doi.org/10.3366/nfs.2016.0140
Keywords neo-operaism, Jacques Rancière, aesthetics, idleness, Maurizio Lazzarato, Friedrich Schiller
Public URL http://eprints.nottingham.ac.uk/id/eprint/33920
Publisher URL http://www.euppublishing.com/doi/pdfplus/10.3366/nfs.2016.0140
Copyright Statement Copyright information regarding this work can be found at the following address: http://eprints.nottingh.../end_user_agreement.pdf
Additional Information The article has been accepted for publication by Edinburgh University Press. Published version: http://www.euppublishin...s/10.3366/nfs.2016.0140

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Copyright Statement
Copyright information regarding this work can be found at the following address: http://eprints.nottingham.ac.uk/end_user_agreement.pdf





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