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Lychees and Mirrors: Local Opera, Cinema, and Diaspora in the Chinese Cultural Cold War

Taylor, Jeremy E.

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Abstract

This paper explores the fate of a southern Fujianese opera (liyuanxi) play that was reformed over the course of the early 1950s and eventually made into the first full-length film to be produced in southern Fujianese dialect (Minnanyu) in the People's Republic of China. It does this, however, in order to shed light on much wider battles that raged, from the mid-1950s to the early 1960s, over control of a plethora of local and provincial performance arts on both sides of the Taiwan Strait and between pro- and anti-Communist community groups throughout the Chinese diaspora in Southeast Asia. The story of this one particular play-cum-film―Chen San Wuniang (Chen San and “Fifth Daughter”; 1957)―highlights that it was often rapidly shifting Cold War geopolitics, rather than ideological content or quality, that determined the outcome of such battles.

Journal Article Type Article
Publication Date May 31, 2018
Journal Twentieth-Century China
Print ISSN 1521-5385
Electronic ISSN 1940-5065
Publisher Maney Publishing
Peer Reviewed Peer Reviewed
Volume 43
Issue 2
Pages 163-180
APA6 Citation Taylor, J. E. (2018). Lychees and Mirrors: Local Opera, Cinema, and Diaspora in the Chinese Cultural Cold War. Twentieth-Century China, 43(2), 163-180. https://doi.org/10.1353/tcc.2018.0017
DOI https://doi.org/10.1353/tcc.2018.0017
Keywords Chen San Wuniang, Chinese diaspora, Cold War, liyuanxi, Opera films, Opera reform, Southern Fujian
Publisher URL https://muse.jhu.edu/article/694218
Related Public URLs https://www.press.jhu.edu/journals/twentieth-century-china
Copyright Statement Copyright information regarding this work can be found at the following address: http://eprints.nottingh.../end_user_agreement.pdf

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Copyright Statement
Copyright information regarding this work can be found at the following address: http://eprints.nottingham.ac.uk/end_user_agreement.pdf





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