Richard Wrigley
Unreliable witness: the flaneur as artist and spectator of art in 19th-century Paris
Wrigley, Richard
Authors
Abstract
The article shows that the well-established association of the flaneur with art, artists is mistaken by reviewing the major primary source texts. It offers an alternative reading of the invention of the flaneur, arguing that it is rooted in early 19th-century journaliastic practices, designed to deal with censorship, and to express political opposition through urban observation.
Citation
Wrigley, R. (in press). Unreliable witness: the flaneur as artist and spectator of art in 19th-century Paris. Oxford Art Journal, 39(2), 267-284. https://doi.org/10.1093/oxartj/kcw012
Journal Article Type | Article |
---|---|
Acceptance Date | Jun 1, 2016 |
Online Publication Date | Jul 28, 2016 |
Deposit Date | Jun 27, 2016 |
Publicly Available Date | Jul 28, 2016 |
Journal | Oxford Art Journal |
Print ISSN | 0142-6540 |
Electronic ISSN | 1741-7287 |
Publisher | Oxford University Press |
Peer Reviewed | Peer Reviewed |
Volume | 39 |
Issue | 2 |
Pages | 267-284 |
DOI | https://doi.org/10.1093/oxartj/kcw012 |
Public URL | https://nottingham-repository.worktribe.com/output/799149 |
Publisher URL | http://oaj.oxfordjournals.org/content/39/2/267 |
Additional Information | This is a pre-copyedited, author-produced PDF of an article accepted for publication in Oxford Art Journal following peer review. The version of record Richard Wrigley, Unreliable Witness: The Flâneur as Artist and Spectator of Art in Nineteenth-Century Paris, Oxford Art Journal (2016), v. 39, issue 2 is available online at: http://oaj.oxfordjournals.org/content/39/2/267 |
Contract Date | Jun 27, 2016 |
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