Dr HONGWEI BAO Hongwei.Bao@nottingham.ac.uk
Associate Professor
Screening Sexualities, Identities and Politics: Queer Cinema in Postsocialist China
Bao, Hongwei
Authors
Contributors
Kevin Latham
Editor
Abstract
Since the decriminalisation of homosexuality in 1997 and its depathologisation in 2001, more and more mainstream and commercial films in China have started to cover Lesbian, Gay, Transgender, Bisexual and Queer (LGBTQ) issues. Meanwhile, with the growth of China’s queer communities, an increasing number of independent films featuring LGBTQ issues have emerged. Despite the continuing existence of media censorship, films have contributed to, and participated in, how queer people construct their gender and sexual identities and build their communities.
In this chapter, I trace a brief history of queer cinema in the People’s Republic of China in the post-Mao era. In so doing, I suggest that queer films do not simply represent LGBTQ identities; they also construct non-heteronormative identities, belongings and communities. Queer filmmaking has become an important part of China’s ongoing LGBTQ activism; it has also contributed to a changing landscape in gender, sexuality and desires in China today.
Citation
Bao, H. (2020). Screening Sexualities, Identities and Politics: Queer Cinema in Postsocialist China. In K. Latham (Ed.), Routledge Handbook of Chinese Culture and Society (361-375). Routledge
Acceptance Date | Oct 24, 2018 |
---|---|
Online Publication Date | Feb 27, 2020 |
Publication Date | Mar 12, 2020 |
Deposit Date | Jan 1, 2020 |
Publicly Available Date | Aug 28, 2021 |
Pages | 361-375 |
Book Title | Routledge Handbook of Chinese Culture and Society |
Chapter Number | 24 |
ISBN | 9780415830584 |
Public URL | https://nottingham-repository.worktribe.com/output/3652404 |
Related Public URLs | https://www.routledge.com/Routledge-Handbook-of-Chinese-Culture-and-Society/Latham/p/book/9780415830584 |
Files
Queeer Ciema In China
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