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Opera in postwar Venice: cultural politics and the Avant-Garde

Boyd-Bennett, Harriet



Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono.


Boyd-Bennett, H. (2018). Opera in postwar Venice: cultural politics and the Avant-Garde. Cambridge: Cambridge University Press (CUP).

Book Type Authored Book
Acceptance Date Oct 1, 2018
Online Publication Date Aug 1, 2018
Publication Date 2018-09
Deposit Date Oct 6, 2020
Publisher Cambridge University Press (CUP)
Pages 240
Series Title Cambridge studies in opera
ISBN 9781107169272
Public URL
Publisher URL