REBEKAH SCOTT Rebekah.Scott@nottingham.ac.uk
Assistant Professor
‘The dreadful done’: Henry James’s style of abstraction
Scott, Rebekah
Authors
Abstract
Since the 1990s, when the late novels of Henry James became a touchstone for the ethical turn in literary criticism, ethical critics of different persuasions, such as Martha Nussbaum and J. Hillis Miller, homed in on certain complex terms and ambiguous avowals in James’s prose in their efforts to hold him up as an ‘exemplary’ writer, committed to ‘ethical’ values such as particularity and singularity. In doing so, these critics overlooked the prospect that at this point in his career James was testing a new sort of literary abstractionism. Like painterly abstraction, literary abstraction makes room for the material and the particular at the same time as it denies them. To illustrate this, I examine a cluster of Jamesian keywords–‘do/doing/done’–from The Golden Bowl (1904) and elsewhere, to dispute the view that James systematically shuns abstraction. Instead, I propose that abstraction–depending for its effect on absorption, entanglement, and bewilderment–be read not as a withdrawal from life into ‘the vague’, cerebral, imaginary, or purely aesthetic realm, but a move to create deep involvements between characters and between readers and texts, and as such should be regarded as a central motivation of James’s evasive late style.
Citation
Scott, R. (2021). ‘The dreadful done’: Henry James’s style of abstraction. Textual Practice, 35(6), 941-966. https://doi.org/10.1080/0950236x.2021.1936773
Journal Article Type | Article |
---|---|
Acceptance Date | Jun 2, 2021 |
Online Publication Date | Jun 25, 2021 |
Publication Date | Jan 1, 2021 |
Deposit Date | Jul 5, 2021 |
Publicly Available Date | Jul 5, 2021 |
Journal | Textual Practice |
Print ISSN | 0950-236X |
Electronic ISSN | 1470-1308 |
Publisher | Routledge |
Peer Reviewed | Peer Reviewed |
Volume | 35 |
Issue | 6 |
Pages | 941-966 |
DOI | https://doi.org/10.1080/0950236x.2021.1936773 |
Keywords | Literature and Literary Theory |
Public URL | https://nottingham-repository.worktribe.com/output/5756862 |
Publisher URL | https://www.tandfonline.com/doi/full/10.1080/0950236X.2021.1936773 |
Files
‘The dreadful done’: Henry James’s style of abstraction
(2.1 Mb)
PDF
Publisher Licence URL
https://creativecommons.org/licenses/by-nc-nd/4.0/
You might also like
Britten's drops: the lyric into song
(2018)
Book Chapter
Knowing nothing: Wilde and Beckett deranging the aphorism
(2019)
Book Chapter
Henry James "In The Minor Key"
(2021)
Book Chapter
Downloadable Citations
About Repository@Nottingham
Administrator e-mail: discovery-access-systems@nottingham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search